| The barometer for the values, attitudes
and obsessions of the United States isn't Newsweek, The New Yorker,
CNN or Time magazine. For the real view of what is going
on across the pond get MAD magazine, it never fails to hit the spot.
To the ignorant it is just a comic but
for connoisseurs it is a concise and wacky attack on all that the U.S.
holds dear. The central icon of MAD is the nerd, enshrined in the
person of Alfred E. Newman. His philosophical musings are quoted at the
front of each issue. The January 1994 issue has him declaring "Learn from
the mistakes of others, 'cos you'll never live long enough to make 'em
all yourself".
Many of the pages show you the mistakes
of hapless individuals, celebrities and organisations. In the same January
issue there is a two page spread on the differences between a sports fan
and a sports fanatic. The former will stay at a game through rain or shine,
the fanatic will stay even when the stadium is demolished around him.
Celebrities are told how to recognise
when their career has hit rock bottom, one good example is when "...the
telethon you're appearing on is for you!". There is also a look into "the
MAD Nasty File. Volume VII". This includes Al Gore, Macaulay Culkin,
The Ren and Stimpy Show and that old favourite Woody Allen who has
"finally found a way to attract widespread public interest, which is something
his movies never did."
Automobiles are a constant source of
humour for MAD. Under the banner of "A MAD Look At Cars"
we have a traffic warden digging the snow off an offending car to find
that it is a "snow car" built by sniggering kids. Car salesmen and garage
mechanics are frequently and justifiably given the MAD treatment.
I still remember an old issue of MAD that took a hard look at car
safety. Starting with a flashy finned 1950s model they stripped it of all
its dangerous features to end up with a Model T Ford. Obviously an early
case of back to basics!
The medical profession is also regularly
given short shrift. In the pages of MAD they are always represented
as being more money grubbing than the average car salesman. In the January
1994 issue there is a mock (perhaps not as mock as we'd like to think)
Doctors Supply Catalogue that is full of products that will part your patients/clients
from their cash. The catalogue proudly claims the company has been "Helping
you bilk the sick & not-so-sick since 1924".
All such features are mere bread to
the meat of the magazine which are its razor-sharp spoofs of current Hollywood
movies. So in this issue we get a send-up of The Fugitive titled
The Stooge-itive and In The Line Of Fire gets re-titled In
Line To Be Fired.
You get the most enjoyment from such
features if you have already seen the film. Silly stories and characters
are an obvious target. In The Stooge-itive Harrison Ford is shown
with a Han Solo T-shirt and later, with an Imperial Trooper, to indicate
his previous successes in the Star Wars movies. The Tommy Lee Jones
character who chases after Ford throughout the film, orders: "I want road
blocks and bridge blocks! And a set of blocks for me to play with while
they're setting them up!"
In The Line of Fire
send-up includes such lines as "Hey, we've been trained to deal with professional
assassins, not cab drivers!" and when the president is being rushed from
a dinner by his special agents, "That's to save his budget! They do that
at every dinner just when the check arrives at the table!"
The best part of such pages are their
sharp drawings of the situations and characters. There is no attempt to
reproduce the story, they just poke fun at the main scenes and dialogue.
It isn't biting wit in the sense that Spitting Image uses it but it is
a humour of recognising something that is slightly distorted and magnified.
It's the type of humour that runs as a slightly jaundiced or cynical commentary
to such films. This can be very irritating if deployed by some wise-cracking
person sitting behind you at the cinema (sit in front of me to discover
this!) but it works when you are deprived of the power of the big screen
to make you believe all sorts of rubbish whilst the images flash before
your eyes.
Certainly MAD doesn't have the
satirical punch of Private Eye or the downright rudeness of Viz
but it does benefit from better drafted illustrations and an irreverent
sense of humour that lacks malice or viciousness. For anyone who has the
slightest interest in American culture it shows the underbelly of a society
that is so often regarded as lacking insight, irony or sense of its own
ridiculousness. For the less cerebral it's a damn good laugh and you have
to be MAD not to like it.
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