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Both boys wish to enter the other's world. Reuven longs for Danny's extended family and sense of community. Danny is interested in Freudian psychology and looks to Reuven to expose him to art, film, and music. The two boys meet on a ball field as a group of Hasidic Jews play a team of Jewish schoolboys. The Hasidim look like unworthy opponents but they turn out to be talented ballplayers. The game ends suddenly, however, when Danny hits a line drive that strikes Reuven in the eyes. When Danny comes to apologize in the hospital, Reuven rejects him, convinced that he will never regain his vision in his eye. Though the boys gradually become friends, Reuven has to work to gain acceptance from Danny's father and must endure questioning on the intricacies of Jewish law. Reuven takes Danny to see his first movie and protects him when Rabbi Saunders asks what books Danny is reading at the library. Reuven is welcomed into the Saunders family and takes part in wedding celebrations and family dinners but, when he takes a liking to Danny's sister Shaindel (Kaethe Fine), he is told that all marriages are arranged in the Hasidic culture and Shaindel's partner has already been chosen. Both boys attend Hirsch College, Danny studying experimental psychology and Reuven philosophy but they maintain their study and appreciation of the sacred texts. Their friendship is threatened, however, when Reuven's father, David Malter, (Maximilian Schell), a professor at the local College, becomes an activist in the Zionist cause as the United Nations begins debating the partition of Palestine. The idea of a secular Jewish state is strongly opposed by Saunders and other Hasidim who believe that Jews, according to a literal reading of the Bible, should only be led back to Israel by the Messiah and he refuses to let Danny to speak to Reuven for half a year. Rabbi Saunders is depicted in the film as a harsh and uncompromising figure who sees only ugliness and evil outside of religion but his humanity is redeemed as he explains to his son why he raised him in silence. He says that he thought that his brilliance was going to be too dominant in his life and that the essence of religion is in feeling and not in reason. He tells him, "...I cried inside my heart. I went away and cried to the Master of the Universe, 'What have you done to me? A mind like this I need for a son? A heart I need for a son, a soul I need for a son, compassion I want from my son, righteousness, mercy, strength to suffer and carry pain, that I want from my son, not a mind without a soul!" Questions of faith and the religious ideal and how they can conflict with friendship are prominent themes in The Chosen. It is an entertaining and thought-provoking film but is unfortunately marred by a mannered performance from Rod Steiger as the Rabbi who turns a slow dance at a wedding into high camp and by Robbie Benson whose wooden acting fails to bring Danny to life. The Hasidic Jews are presented only as funny looking people with rigid ideas and their joy and spirituality, while glimpsed at a wedding ceremony, is lost among all the pontificating. What is also missing is any mention of the central idea of the Hasidim - the notion that God permeates all physical objects in nature, including all living beings and that man, by concentrating all of his thoughts on God, can unite with source and influence events on Earth. GRADE: B
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