Days of Glory (Indigénes)
can boast that it was the most important if not the most successful of
the five films in the Oscars’ Best Foreign Film category. After French
Premier Jacques Chirac saw the film, he agreed to compensate all North
Africans who fought in World War II by unfreezing their pensions, a result
the director Rachid Bouchareb worked hard to achieve. Though conventional
in its technique and lacking in any real character development, Days of
Glory, a French Moroccan Algerian co-production, is an involving and heartfelt
film whose outstanding ensemble cast won the award for Best Actor at the
2006 Cannes Film Festival.
The film depicts a group
of North African volunteers who enlist in the French army to support the
French resistance against the Nazis during World War II. The fact that
they are fighting for a lesser group of colonial oppressors against a more
virile one does not enter their mind and they are ecstatic with the thrill
of being on French soil for the first time. Their shabby treatment, however,
by bigots in the French army who deny them the privileges that they take
for granted becomes the centerpiece of the film. Unlike the French, the
North African recruits are not granted leave to visit their families, are
not promoted, and are not even allowed tomatoes with their dinner.
The film opens in 1943
as the enlisted men say goodbye to their families in Algeria, Morocco,
and Senegal to join the fight against the Germans. Bouchareb follows four
men: Said (James Debbouze), a young Algerian is moved to enlist by a recruiter’s
sloganeering and his own desire to escape his economic hardship; Yassir
(Samy Naceri) who joins in Morocco even though he cannot help being bitter
toward the French government that killed his family in the name of pacification.
We later meet Messaoud
(Roschdy Zem), a solid marksman who falls for a young French woman but
their correspondence is intercepted and censored by the French and his
“no luck” tattoo on his neck turns out to be prophetic. The strongest character
in the film is Abdelkader (Sami Bouajila), whose outspokenness against
the injustice shown to North African soldiers keeps him from being promoted
but earns him a strong following. Said develops a close relationship with
Sergeant Martinez (Bernard Blancan), a by the book Captain who nonetheless
speaks up for the dedication of his men but when Said happens to suggest
that Martinez is part Arab, their relationship ends swiftly and dramatically.
The high point of the
film is the battle for a village in Alsace. It is a tense, emotionally
harrowing sequence that is the equal of anything in Saving Private Ryan.
Days of Glory has a strong point of view but is not didactic. It simply
lets us see the face of discrimination against Arab soldiers during the
war and the tension that arose in the French army because of it, a harbinger
of colonial wars and urban tensions to follow. While the film unfortunately
ends on a clichéd note, it is still quite moving and makes sure
the brave soldiers from North Africa are acknowledged for their contribution,
sadly overlooked these many years.
GRADE: B
Howard
Schumann