Based on the popular
Hong Kong action thriller Infernal Affairs, Martin Scorsese’s The Departed
has kinetic energy, an outstanding ensemble cast, a world-class director,
and tense non-stop action but ultimately fails to provide any genuine emotional
satisfaction. Scorsese, whose Taxi Driver, Raging Bull and Goodfellas are
classics of the genre, has come up with another gritty urban drama but,
unlike his earlier efforts, it is filled with casual, “cartoonish” killing
and a point of view that the excesses of organized crime and law enforcement
are virtually indistinguishable. In an environment that does not distinguish
between ends and means, there is no one to root for and those that do find
a character to cheer for are begging for disappointment.
Set in the mean streets
of South Boston, The Departed is the story of an undercover cop (Leonardo
DiCaprio) planted in the Costello crime syndicate and a mole (Matt Damon)
who infiltrates the police force, pretending to be a cop. The film comes
out of the gate roaring with the Rolling Stones Gimme Shelter providing
the background to a street fight. The first Irish Mafioso we meet is Frank
Costello, played by Jack Nicholson. In a flashback, Costello recruits a
youngster named Colin Sullivan by buying groceries for his family. Later,
Sullivan goes to work for Costello when he becomes a detective sergeant
in the police force. Unfortunately, Mr. Nicholson performance is so over-the-top
that we are all too conscious that we are watching Jack Nicholson, the
actor not Frank Costello, the mob kingpin.
Sullivan is played by
Matt Damon as a one-dimensional Southie character just out of Good Will
Hunting (I was half expecting Ben Affleck to wander into the scene with
the rest of his drinking buddies). Sullivan’s superiors are devout Catholic
Captain Queenan (Martin Sheen) and Sergeant Dignam in an Oscar-nominated
performance by Mark Wahlberg. Dignam has the most quotable lines in the
film, but his character is so foul-mouthed and antagonistic that he soon
becomes tiresome. The most accomplished performance in the film is that
of Leonardo DiCaprio as Billy Costigan, a tough but sensitive undercover
cop who comes from a family with a criminal background and fits into the
Costello organization but has to swallow Valium just to stay on an even
keel.
There is some love interest
in the film as well. Both Billy and Colin fall for the police mental health
counselor Madolyn (Vera Farmiga). Ms Farmiga does a creditable job but
her part is so underwritten that it feels extraneous. Both Costello and
the police soon discover that they have a rat in their midst and Sullivan
and Costigan are assigned the job of finding the fink. As the noose tightens,
both men desperately strive to avoid detection and there is lots of action
as the dead bodies pile up.
The Departed is a finely
crafted film, excellently photographed by Michael Ballhaus and for the
most part very well acted. Unfortunately, the plot is very thin and there
is little character development or seriousness of purpose. While Scorsese
should be acknowledged for telling the truth about the thin line between
criminals and the law, the ending is so downbeat that it leaves us wondering
what point other than futility the film is trying to make. During two and
one-half hours of gratuitous violence, betrayals, double-crosses, and one-note
characters, the departed may include members of the exhausted audience.