"For me, a son will always
be his father's child, even when he's grown up. We should maintain the
tenderness that exists in human relations. If we fail to do so, we will
lose our humanity.” - Alexander Sokurov
Alexander Sokurov's
Mother and Son had a sense of joy and love tempered by a setting
in an ominous dark forest. The second part of the trilogy, Father and
Son has no such ambivalence. It is drenched in sunlight and bathed
in a glow of greens and browns. The film opens with the image of two male
bodies in bed, their naked bodies intertwined in a rapturous embrace. One
is breathing rapidly; the other is trying to comfort him. We think these
must be gay lovers, but soon discover that it is a father comforting his
son after a nightmare. Though the film feels homoerotic, Sokurov chafed
at the suggestion calling it the product of sick European minds. According
to the director, "Their (father and son) love is almost of mythological
virtue and scale. It cannot happen in real life", and the film is "the
incarnation of a fairy tale. Shot in Lisbon, Portugal, Father and Son
is not attached to time or place. A soldier's uniform is depicted in the
latest style, while women's dresses and hairstyles are of the 40s, 50s
and 60s.
Father (Andrei Shetinin)
and son (Alexei Nejmyshev) live together on the top floor of an apartment
house and have done so for many years since the death of their mother.
Their world looks like a sanctuary but may be a prison. It was while attending
a school for air cadets that the father met his wife and bore his son,
now 20. His son's physical appearance reminds the father of his late wife
and their bond is intense and emotional. Alexei attends military school
like his father who left military service against his will and wants his
son to pick up where he left off. He has a girl friend but there is a distance
between them. She is jealous of his relationship with his father that to
her appears overprotective and he does not want to give up his father's
closeness.
Alexei's father is conflicted
about looking for a job in a different city and seeking a new wife. They
must decide whether to continue their lives together or independently.
The struggle for freedom and independence is mutual but they are held together
by a transcendent love. Father and Son is an enigmatic but deeply poetic
film about the complex bond that a son has with his father. While the film
is open to interpretation from different cultural, psychological, or religious
points of view (the film says, “A father who loves his son crucifies him.
A son who loves his father sacrifices himself for him”), for me, the best
approach is to avoid the temptation to analyze and just bathe in the warmth
of its loving glow.
Howard
Schumann