For about the first thirty
minutes, I was thinking of some way to politely inform those who recommended
this film that it wasn't my cup of tea, but the more I stayed, the more
captivated I became. Based on a stage play that opened six years earlier,
Harvey, the 1950 film directed by Henry Koster, is a delight. If
this Jimmy Stewart classic doesn't make you feel good, you must be related
to Mr. Henry F. Potter of Bedford Falls. Harvey is a 6' 3'' Pooka who has
befriended a certain Mr. Elwood P. Dowd and this causes all sorts of complications
for those around him. In case you didn't know, in Celtic mythology a Pooka
is a fearsome spirit that usually takes the form of a sleek dark horse
that roams the countryside at night, creating harm and mischief. Well,
Harvey is not like that at all.
In fact, Harvey is a very
gentle spirit who is always helping people out and can make everybody around
him feel relaxed and in a good mood. Now Dowd needs all the help he can
get. He likes to take a nip once in a while and is always talking to that
danged rabbit to the chagrin of his sister Veta Louise (Josephine Hull)
whose social life takes a nosedive when brother Elwood is around. Elwood's
shenanigans also interfere with her plans to marry off her daughter Myrtle
Mae (Victoria Home). When Veta decides that she has had enough and tries
to commit Elwood to a psychiatric institution, the tables are turned and
she ends up being committed in a hilarious case of mistaken identity. When
Elwood leaves the hospital after being released, the medical staff in the
hospital (a bit eccentric themselves) realize their mistake and all try
to find him.
The madcap beginning soon
turns into a gentle and moving drama. Jimmy Stewart is flawless as the
decent man who never loses his temper and always has a smile on his face,
giving everyone his card and inviting strangers home for dinner. The supporting
cast is top notch as well including the unpleasant Dr. Chumley (Cecil Kellaway),
the egotistical psychiatrist Dr. Sanderson (Charles Drake), his love struck
assistant Miss Kelley (Peggy Dow) and the overwrought orderly (Jesse White,
later known as the Maytag repairman).
Eventually some that ridiculed
Elwood and his rabbit privately admit that they could see Harvey themselves
and by the end we are gradually convinced that the so-called normal people
may be stranger than Mr. Dowd. Harvey is considered a classic and with
good reason. It works because of its good-natured humor and its gentle
slap at those who automatically condemn ideas that are outside socially
acceptable norms without thinking for themselves.