The screen adaptation
of Alan Bennett’s Award-winning play re-unites the same director and original
12 leads from the London and Broadway cast. This would cause problems
ordinarily but because of the dynamic chemistry already in the cast the
belief is in the performances. However, it is little more than a
vehicle for Richard Griffiths, allowing one of those great theatrical performances
to be seen in the mainstream. And his Hector is certainly deserving.
Yet Irwin (Stephen Campbell Moore) the sexually confused new teacher -
in opposition to the old ways of Hector - gets lost in the proceedings,
no more than an understudy or second class citizen.
I like the story you have
eight young men who have all passed their A-levels, who in the 1980s are
left in limbo as they attempt the entry exams into Oxford and Cambridge.
This one foot in childhood and the other in adulthood, has the boys acting
beyond their years convincing us they know more than the teachers do.
This happens a lot in teacher - pupil films, but one teacher knows more
than all.
I do have one gripe and
that is the carefree nature of the homosexuality between Irwin and Dakin
(Dominic Cooper). It might be because their confused or just economical
with the idea., but having a pupil ask a teacher for a blowjob is a bit
close to the mark. (I cannot wait for Notes on a Scandal, which judging
by the trailer is explicit.) While you can get away with it on stage
in a darkened theatre, the cinemagoer is more word of mouth, they will
communicate more and tell people about this homosexual tryst between teacher
and pupil. I say they might be confused this puts nothing past the
excellent Samuel Barnett as Posner, the closeted teenage homosexual who
idolises Hector and Dakin as both unattainable and within distance.
When he sings ‘Bewitched, Bothered and Bewildered’ to Dakin in the classroom,
the feeling is uneasy but Barnett sings it like a torch song in a noir
film, uncaring of people’s beliefs. As the boys have grown up together,
the knowing that a colleague is gay does not bother them. Another
positive in a very peer-orientated world.
The direction by Hytner
(who directed the play) is not flashy or glorifying of the play, it is
quite modest and not asking to be more important. The script is witty
and the performances as expected are first rate, I like Russell Tovey as
Rudge, the most Yorkshire of the boys who gets into Oxford not because
of grades but because his relative once went there and someone of the board
remembers the name. For all the studying, Bennett appreciates that
you sometimes need luck in your life. And the scene when Irwin first
encounters Hector giving a French class with the boys which starts in a
boudoir and ends up on the trenches of the First World War is particularly
entertaining and it does not patronise the audience by giving us subtitles.
Jamie
Garwood