This documentary as part
of PBS’s American Experience (their similar to our own BBC’s Storyville)
was first seen at the 2006 London Film Festival. It uses a key moment
in late 1970s American history and a character who tried to be bigger than
the American government.
Jim Jones was a white
pastor who started his own church so he could have people follow him.
Brought up in the deep south, Jones was raised amongst black people so
instantly you have questions of race and class divide. With his insatiable
desire for power, you have a man who is power hungry, manipulative and
ultimately, paranoid.
The documentary focuses
on the world’s biggest mass suicide on November 18th, 1978 in Guyana when
near to 900 people followed Jones’ lead. Using first hand details
of the events and survivors stories it paints a picutre of people who believed
until the curtain was pulled back, to reveal the true nature of the wizard.
Jones’ paranoia and megalomania become apparent when it was too late.
What works well for this
documentary upon viewing it in this country is that very little is known
about Jones and People’s Temple apart from the mass suicide. Little
is known about the man himself and where it not so true, he would make
a brilliant fictitious character - but you can see the influence of him
in certain American genre pictures with the pastor as evil. But Jones
is a convincing villain, full of charisma and knowingness in his ability
as a showman. The archive footage of his sermons portray him as a
man adored by those who are vulnerable and being manipulated into giving
up their life to be a part of this new community, especially the black
community who are already below the poverty line and so you have
these conflicts in terms of race and class.
But while Jones’ delusional
mission was wrong in the long run, the survivors are still gripped by his
presence saying at least they tried to change the world. But how
can these people have some sort of remorse or forgiveness for a man who
killed their loved ones and the children first.
A gripping documentary
that becomes a thriller with a great villain. Nelson directs with
a keen affinity to the subject matter and provides a film of interest and
vitality.
Jamie
Garwood