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Legal thrillers don’t come our way very often-even
from Hollywood so ‘The Lincoln lawyer’ is quite a welcome change from
the hard-assed actioners, animated comedies and romantic tripe that
Hollywood usually throws our way. Directed by Brad Furman with a
Screenplay by John Romano, based on the novel by Michael Connelly, this
is a film that presses all the right buttons, is earnest about it’s
ambitions and is incorrigibly driven by it’s dissipated, ageing
yet charismatic star Mathew McConaughey. Mickey Haller(Mathew McConaughey) is a slick and savvy
lawyer who manages to speed-up even the most dog-eared cases. His
clientele includes junky bikers, sweet talking whores and repeat
offenders until a friendly bail bondsman(John Leguizamo) sends a bigger
fish his way- Louis Roulet(Ryan Phillipe), a Beverly hills blueblood
accused of rape, battery and attempted murder of a prostitute. Louis
cries innocent and Haller almost believes him until his close buddy,
private investigator Frank Levin(William H Macy) uncovers some
intriguing facts. Frank is quickly bumped off and now Haller, has
to defend the indefensible. How he manoeuvres through the
legalese and comes out smelling of roses forms the most intriguing part
of the film. The set-up is long drawn and the exposition quite flimsy.
But the development appears solid enough and gives the film it’s most
interesting moments. There are far too many characters in the film and most
of them have little to contribute to the eventual climax. Haller’s
disrupted family life with ex-wife Maggie(Marisa Tomei) and daughter,
have little importance in the scheme of things. They also have very
little to do other than provide a steady support for Haller’s character
to fall back on. Haller’s egotism, skill and smooth talk are tools that
help him manipulate the justice system for his clients gain. The
narrative Rating: * * * Also see Howard Schumann's review of The Lincoln Lawyer
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