In Local Hero,
Scottish director Bill Forsyth allows us to see the environment not as
something to possess or control but as a privilege granted to all of us.
A young corporate executive for a Texas Oil Company, Mac MacIntyre (Peter
Reigert), is sent to a small fishing village on the coast of Scotland to
work out plans to buy a piece of coastal property that includes the entire
town as a drilling site. The great Burt Lancaster plays Mac's boss, Felix
Happer, a starry-eyed tycoon of Knox Gas and Oil who is more interested
in the stars and getting rid of Moritz (Norman Chancer), his "abuse therapist"
than his business. Strangely, he asks Mac to keep an eye on the constellation
Virgo when he reaches Scotland to see if he can see a comet in its vicinity.
MacIntyre meets up with
his Scottish partner Danny Oldsen (Peter Capaldi) and they rent a room
at an inn run by the local accountant Gordon Urquhart (Denis Lawson) and
his wife Stella (Jennifer Black). Eventually, Mac and Danny settle in and
get to know the town, walking the beach, talking to the black pastor of
the village church, and meeting the idiosyncratic villagers. Mac slowly
and without any expectations develops an attachment to the town and its
people while Danny falls for Marina (Jenny Seagrove), a marine biologist
with webbed feet who dreams of building a laboratory for biological research.
When Urquhart agrees to
act as the intermediary between MacIntyre and the locals in the negotiations,
we are set up to expect the ruthless exploitation of country folk by the
big city capitalists. Ironically however, it is the villagers who are captivated
by the prospect of the money and more aggressive in its pursuit than Big
Mac. The deal seems ready to be consummated when it is discovered that
Old Ben (Fulton MacKay), who lives in a shack on the beach, actually owns
six miles of beach property and does not want to sell. When the townspeople
threaten to turn into an ugly mob, Happer arrives from Houston in his helicopter
to add the final twist to a most unpredictable plot.
Local Hero creeps
up on you slowly then delivers its payoff so convincingly that, by the
end, you feel as if you have a lifelong relationship with the characters.
Mac's transformation from being a corporate sycophant to a caring individual
who experiences a sense of belonging, perhaps for the first time, is one
of the great pleasures of the film and reminded me of a similar transformation
in Kiarostami's The Wind Will Carry Us. Supported by a wonderful
score by Mark Knopfler of Dire Straits and beautifully photographed
by Chris Menges, the film captivates with its offbeat humor and charm and
reminds us of what it means to be human without resorting to cheap sentimentality.
If technology is seen as an imminent threat to humans, Local Hero
allows us to focus our attention upon that which is most threatened: respect
for people's individuality, reverence for the land, the sea, and the sky
-- and really good Scotch whiskey.