Whenever someone asks
me, “Jen, how can I turn my brains into sludge?” I generally recommend
an Adam Sandler movie. There is no other product out there (in my humble
opinion) to rival Sandler’s movies for pure moronic humour. And that’s
OK. Sometimes the best way to succeed in Hollywood is to find a spot and
slide into it. Harrison Ford fits in action. Anthony Hopkins fits as the
homicidal loon. Sandler fits as mind fluff. Now however, Sandler is inexplicably
attempting to step into Gary Cooper’s spot in this year’s bizarre remake
of the 1936 classic movie Mr. Deeds Goes to Town.
The story goes like this....
Mr. Preston Blake, a multimedia
gazillionaire dies attempting to scale Mt. Everest. (I defy you to find
one member of the audience who wasn’t picturing Bill Gates frozen to the
summit, snickering quietly to themselves.) All of his fortunes fall to
an unsuspecting heir, Longfellow Deeds a small town pizza parlour owner.
Shenanigans and goings-on ensue when Deeds leaves home for a few days to
come to the big apple, and inherit his windfall.
Watching
Adam Sandler (The Wedding Singer, Big Daddy) I was reminded
of my theatre-going experience watching Titanic. In
Titanic
I sat perplexed as a cinema full of teenage girls cried their eyes out
over Leonardo DiCaprio and wished that the movie would go on forever. (As
Celine Dion’s theme song seemed to.) I couldn’t get out of the theatre
fast enough. (This is partly due to the fact that the movie was bad, and
also partly to do with the fact that there was a lynch mob of colour co-ordinated
14 year olds was forming to have “like some words” with me for laughing
during Leo’s death scene.) Like my alienation at Titanic, my experience
at Mr. Deeds was one of Invasion of the Body Snatchers eeriness.
I was in a theatre full of people laughing hysterically at things that
were just....not funny. I counted the number of times I laughed at something
Sandler said or did in the 105 minutes I will never get back again: 3.
I’m not terribly financially inclined but it seems to me that one laugh
every 35 minutes is not quite a lot of bang for your buck.
Winona Ryder (Heathers,
Girl,
Interrupted) plays Deed’s love interest Babe Bennett. Her talents are
TOTALLY wasted here, as the script never does anything with this character,
save for making her entirely one-dimensional and puerile. The thought of
getting to watch Ryder stretch her comedic legs was intriguing enough to
get me through the doors of the theatre. The terrible role she found herself
in made me sorry to see her lessen herself. Ryder is a talent, a unique
and distinctive actress whom Sandler should be worshiping right now as
she is the ONLY thing in this movie giving it any class whatsoever.
I have been told that
I’m opinionated. That’s certainly true in that I know exactly what I like.
I enjoy originality. I favour directors who use their stars to their full
potential. I don’t endorse projects that take movies that don’t need remaking,
update them, and dumb them down to a level where they assume they’ll be
palatable. Anyone who needs anything sharpened may want to consider paying
Gary Cooper’s grave a visit as he’s most likely spinning at a rate to sharpen
the dullest of butter knives to steak quality. Too bad he wasn’t around
to do the same for the script. My opinion of Sandler’s talents being minuscule
is becoming more and more entrenched the more I see of his work. Don’t
waste your time on this one.
Jen
Johnston