The Primrose Place
is based on an original story by H.E. Bates. It features a woman working
in an orchard when a tired and agitated stranger appears clutching a mysterious
box. He is searching for “that Primrose Place” but we do not discover why
until the end of this short film.
This is a co-production
between long-time supporters of our Talking Pictures website - Jaap Mees
and Alan Thompson. They wanted to shoot something quick and simple to gain
more experience of digital shooting and editing. Another reason beyond
the practicalities was that they thought this is an exceptional story,
simply told with a beginning, middle and end written in a subtle and human
way. Indeed Jaap tells me that he tried to make this short film ten years
ago.
The music by Laura Rossi
is well chosen and works really well with the narrative. The framing, composition
and editing of the film clearly shows Jaap’s experience with shooting documentaries.
Some directors might well have been tempted to add some symbolic images
into the story (the encounter between a man and a woman in an orchard suggests
the story of Adam and Eve) or they might have used ‘flashy’ camerawork
or editing. Here they restrain themselves to a few moving titles in the
opening and closing credit sequences, and it is all the better for it’s
direct approach.
The man (Justin McCarron)
and the woman (Giovanna Villa) do a creditable job with their scenes but
they seem like they are characters in a dream rather than flesh-and-blood
people. Whether or not this is deliberate this does give an additional
ambiance of mystery to the story.
A flaw with the story
is the rapidity with which the woman gives the man a glass of water and
an aspirin when he falls over. Where does she conjure up these things in
the middle of an orchard? Jaap tells me that he used a pan here to suggest
that time had passed between the man falling and the administration of
the drink. Nonetheless I think it would have been better if she offered
him a cup of tea from a flask.
Overall this short film
shows what can be achieved with the use of a DV camera, Final Cut Pro editing
software (operated by editor Simon Boyd), a couple of actors and a weekend
in the countryside.
Nigel
Watson