"The rarer action is
in virtue than in vengeance" - Prospero, The Tempest, Act 5, Scene
I
Peter Greenaway's
audacious 1991 film Prospero's Books is the stuff that dreams are
made of. The film, loosely based on William Shakespeare's mystery play,
The Tempest, does not present the work using conventional staging
but suggests it through dreamlike ballet sequences with writhing nude dancers,
computer animation, lush photography, surreal imagery and the evocative
music of Michael Nyman. Images are opened in boxed inserts in the center
of the frame and are visually striking, but the film, while imaginative
and entertaining, is obscure and almost unintelligible to those unfamiliar
with the plot. John Gielgud, still magnificent in his eighties, is Prospero,
the philosopher-king. He is the voice of all the other characters as well
as Prospero including the witches' son, Caliban (dancer Michael Clark),
the King's son Ferdinand (Mark Rylance), and Prospero's fifteen-year old
daughter Miranda (Isabelle Pasco) and, in his clearly articulated poetic
voice, Gielgud allows Shakespeare's language to soar.
The film begins in a palace
on the island where Prospero and Miranda landed twelve years ago after
being exiled by the King of Naples. Prospero relates his strange story
to his daughter (the word strange appears twenty-five times in the play),
recounting the tempest that brought him to the island and the time when
his brother Antonio conspired with King Alonso to usurp his position as
the Duke of Milan. With the help of Gonzalo, Prospero was able to reach
the island after a shipwreck with the twenty-four books that are the source
of his magic and power (a Greenaway invention), and the film's title and
structure are based on these. The arcane books, shown in overlapping images,
include "A Book of Water" containing drawings of every conceivable watery
association, "A Book of Mirrors", allowing the reader to peer into the
past and the future, and "A Book of Mythologies" describing tales of Gods
and men throughout the ages.
Prospero uses the occult
power derived from his books to release the fairy Ariel from the pine tree
in which he was buried alive by the witch Sycorax, and Ariel agrees to
become his servant until he is freed by Prospero from slavery. Ariel, visually
represented by four different boys, helps Prospero through magic to bring
the men to the island that he has harbored a grievance against for twelve
long years: King Alonso, his brother Sebastian and son Ferdinand, and his
own villainous brother Antonio. The play is Prospero/Shakespeare's poetic
inspiration that arises like a storm at sea, then returns to calm waters
freed from treachery. The eternal author concerned with his literary legacy,
he seeks closure as he gathers his enemies to wound and to heal. Prospero
seeks revenge but, through his studies, is able to transform himself and
bring his former adversaries to a new way of thinking and living and, in
the process, provide for his daughter's future and his own reconciliation
to society.
The Tempest was
placed first in the Folio of Shakespeare's Collected Works (1623)
for a simple reason - it contains the unifying principles of the entire
canon. Like the Greek Mysteries that preserved the ancient teachings under
the veil of symbol and allegory, The Tempest is Shakespeare's ritual
descent into the underworld. With its theme of banishment and redemption,
Prospero/Shakespeare is the literary champion of the occult Neoplatonists,
a magus transformed from a warrior prince to a seer, the personification
of the idea that the cosmos is the self-expression of the soul. According
to author Charles Beauclerk, Earl of Burford, The Tempest is the
work of an author alienated from the mainstream, "tongue-tied by authority",
who creates a second, artistic kingdom to challenge the status quo. It
leads its audience "through a maze towards the center of the island where
they will find both the true author and their own soul-life". Allowing
us to realize a greater sense of wholeness, it is in Beauclerk's phrase,
"the holy book of modern Western culture". Prospero's Books
helps to reveal its sacred message.
GRADE: A-
-------------------------
Howard
Schumann