When Agnese (Stefania
Sandrelli), a fifteen-year old girl, is seduced and impregnated by her
older sister's fiancé, the stage is set for a series of events that
involve an attempted murder, an abortive suicide attempt, a protracted
court battle, and a fake kidnapping. A wicked satire from Pietro Germi,
Seduced and Abandoned lampoons the macho morality, legal system,
and hypocrisy of Sicily in the early 1960s. Though it seems a bit overlong,
it is a very funny film that shows how outmoded codes of honor can stifle
individuality, and the consequences that result when a family's reputation
becomes more important than their happiness.
Saro Urzi won the award
for Best Actor at the 1964 Cannes Film Festival and he turns in a dominating
performance as Vincenzo Ascalone, the ebullient patriarch who is determined
to preserve the family honor at any cost. After discovering that his young
daughter Agnese has been seduced by Peppino Califano (Aldo Puglisi), daughter
Mathilde's (Paola Biggio) fiancé, he goes into a rage, first against
Agnese than against the cowardly Peppino, assaulting him in front of his
parents. He demands that Peppino break off the engagement with Mathilde
and marry Agnese, but Peppino hypocritically proclaims that he will not
married a defiled woman though in fact he was the defiler.
When Peppino hightails
it out of town and hides in a monastery, Vincenzo persuades his son Antonio
to hunt him down and kill him but the murder plot turns into another farce
after Agnese informs the police (who are about as competent as the lawmen
on The Dukes of Hazzard TV series). The bumpy affair finally ends
up in court where the only thing that can prevent Peppino from jail is
marriage but the proud papa refuses his daughter's hand. This forces Peppino
to stage a false kidnapping and it goes on from there, full of twists and
turns that left me a bit worn out but full of smiles.