In the U.S., thousands
of students participate each year in spelling competitions that begin on
a school, local, and regional level and end with the Scripps-Howard National
Spelling Bee finals in Washington, DC, an American institution since 1925.
The Oscar-nominated documentary Spellbound by Jeffrey Blitz follows
eight children, ages 12 to 14, from their preparation for the 1999 competitions
through to the finals. The director traveled all over the country to select
students from diverse socio-economic and ethnic backgrounds and chose those
he thought had the best chance of success. Though we do not really know
what drives these children to endure long hours of study to compete in
the Spelling Bee, it is apparent that they are single-minded in their purpose,
perhaps eager to overcome the limitations of their economic status or ethnic
background or simply to validate the premise of the "American dream," that
one can lift themself up through hard work.
One of the contestants
is Angela from Perryton, Texas, the child of Mexican immigrants whose parents
don't speak English. Her brother tells us that his dreams will be answered
if Angela wins the National and her mother says that it was the happiest
day of her life when her daughter won the Regionals. Another contestant
is Ashley, an inner city black girl from Washington, DC. who does not have
the resources and study aids that other contestants do but has a strong
motivation to succeed. Blitz depicts the family life of the children and
observes how each of them goes about their preparation. Most are normal
adolescents but some say they feel like outcasts because they are so intellectually
advanced. To them, the Bee is a place where they can come together with
others like themselves and experience a mutual pride in intellectual achievement.
Some parents are involved
to an extraordinary degree. One example is the father of Neil, an Indo-American
boy from San Clemente, California who goes to the extraordinary measure
of paying thousands of people in his home country of India to chant and
pray for his son's victory. He spends hours each day working with Neil
and has him privately tutored by French, Spanish and German instructors.
Remarkably, the father pledges $5000 to feed hungry Indians if his son
wins. The first hour introduces the children and the last thirty minutes
shows us the actual competition. As we watch the drama unfold, the children
must spell words like "cephalalagia", "mattock", "corollary", "hellebore",
and "banns" in order to survive. Blitz masterfully builds the tension by
cutting away from the child spelling a word to an earlier interview that
illuminates an aspect of their personality. The result is that our attachment
to the children is intensified as the film progresses. By the end of the
film we each have our favorites, though we know that with only one winner
out of 249 children, heartbreak likely awaits.
Spellbound explores
the fabric of American society in a way that is deeply rewarding. Despite
the disparate social and economic backgrounds of the film's principals,
there is unity among them, as they pursue what is often described as the
"American dream." For each family, the Spelling championship symbolizes
something much larger than a mere contest over words, becoming, in fact,
a metaphor for hope. The egalitarian nature of the competition supports
the American ideal that one can transcend one's social strata through hard
work, and in this sense, the contest is quintessentially American. It is
this, perhaps, that accounts for the passionate, and even desperate urgency
with which the families pursue the title. Spellbound is a thoughtful
inquiry into the enduring myths of our culture, and speaks to the insistent
hope for a better life that remains at the heart of the American experience.