Animism is a belief that
a soul or spirit exists in every object. Shinto, the native religion in
Japan that goes back to 500 BC, has incorporated many of the ideas of animism,
worshipping the spirits of mountains, rivers, rocks and trees and using
rituals that connect people to nature's timeless flow. Many of the spirits
and stories from the Shinto religion are depicted in Miyazaki's animè
feature Spirited Away and the director has said that many images in the
film came from his childhood memories of traditional Japanese culture.
Spirited Away won the 2003 Oscar for Best Animated film and has
been deservedly praised for its imaginative story, brilliant colours, and
superior technical achievements.
As an unhappy ten-year
old girl, Chihiro, travels with her parents to her new home in the countryside,
they take a wrong turn and end up in what they think as an abandoned theme
park. Separated from her parents, who partake in a gluttonous meal, the
little girl is drawn to a bathhouse for spirits and enters an alternate
reality. Her parents have been transformed into pigs and she is trapped
in a world she can barely understand.
Chihiro does not change
or grow up suddenly but calls upon her inner strength that she barely knew
existed to help her out in dangerous situations. She is helped by young
Haku, an assistant to Yubaba, the bathhouse manager who tells her that
her only chance is to ask Kamajii for work in the boiler room (Miyazaki
said that he was trying to show Japanese girls who never had to work the
experience of hardship). Kamajii in turn sends her to Yubaba (yet another
wicked witch stereotype) who steals her name, calling her "Sen" and gives
her difficult tasks that she must undertake successfully in order to free
her parents and return home.
Along the way, Chihiro
encounters physical and psychological dangers. There are no simple villains
in the film but there are many repulsive creatures such as a boiler room
boss with six tentacles, a giant grotesque baby, rolling heads, stink monsters,
and the like. One wonders where these images come from since Japanese gods
have no actual form and elementals in mythology are part of the simple
beauty and magic of nature. Yet, unlike the Disneyfied view of the world
with sharp lines separating good and evil, Miyazaki's film is ambiguous
and shifting and Chihiro must adapt, figure out the world she is in, and
learn whom to trust.
When Chihiro begins to
control her own destiny, she creates supportive friends to help her complete
her tasks and, in the process, discovers abundant courage and a sense of
responsibility. As she and Haku move toward freedom, they both realize
that they cannot escape their enslavement until they remember who they
really are, a metaphor for all of us groping toward our spiritual connection.
The power they find does not consist of magic spells or objects to render
opponents senseless but the energy that flows from love, forgiveness, and
non-violence. Spirited Away is a remarkable achievement and a film
that left me feeling uplifted and connected to a greater reality.
Howard
Schumann