A deep sense of longing
and unfulfillment pervades Ye Lou’s Suzhou River, a longing perhaps for
the perfect love that is unattainable. Originally filmed as two 37-minute
episodes for the television show Supercities, Suzhou River pays a colorful
homage to Westernized film noir and adds modern stylistic touches reminiscent
of Wong Kar-wai to produce a satisfying if not overly deep cinematic experience.
The film was banned in China for two years because it did not receive approval
from the proper authorities and Lou has been prohibited from making films
in China for five years because his latest work, Summer Palace, was submitted
to the Cannes Film Festival without official approval.
Like the Ganges in India,
the polluted Suzhou River in Shanghai defines the life of the people who
live and work in its dingy environment, a life of struggle for economic
survival. The story is told through the eyes of the narrator, an unnamed
videographer who, like a silent voyeur, travels up and down the river looking
for stories to film, spray painting advertisements of his work on street-corner
walls. The only bright spot in his life is his relationship with Meimei
(Zhou Xun), a performer of a mermaid act at the Happy Tavern nightclub.
The narrator tells us
that Meimei, however, has unexpected periods of silence and often disappears
for days at a time without explanation. He relates how his moments of sadness
turn to joy when he sees her though his open window walking across the
bridge with her arms folded across her chest. When Meimei asks him if he
would look for her forever if she disappeared, he answers yes then tells
the story of a motorcycle courier named Mardar (Jia Hongsheng) who was
involved in an intense relationship with Moudan, a sixteen year-old girl.
Moudan also played by Zhou Xun bears a striking resemblance to Meimei in
the vein of Hitchcock’s Vertigo.
One of Mardar’s odd jobs
working for Shanghai gangsters was to transport Moudan to her aunt’s house
when her father was having an affair. He falls in love with her, however,
and gives her a mermaid doll on her birthday but betrays her trust by kidnapping
her at the bequest of the mobsters and holds her in an abandoned warehouse
until the ransom is received. When Moudan realizes her betrayal and is
upset about the sum received, clutching her mermaid doll, she jumps into
the Suzhou River, telling Mardar she will return as a mermaid. After Mardar
is released from prison after serving three years, he finds the look-alike
Meimei at the Happy Tavern and is convinced that she is the love he tragically
lost.
Enigmatic to the end,
the rest of the story is better left for the viewer to discover and it
is open to different interpretations. Suzhou River may not be the masterpiece
that some claim but it has a brooding dreamlike quality that touches a
responsive chord of longing in those who have sought but not yet found
the perfect love. Like Kim Novak in Vertigo, Zhou Xun’s sparkling eyes
and expressive features will remain in your memory.
GRADE: B+
Howard
Schumann