Eric Rohmer's characters
are often irritating and insufferable, yet they can likewise be charming
and utterly irresistible. In A Tale of Summer, Gaspard (Melvil Poupaud)
acts like a grown up teenager who likes to play at love but is unwilling
to make commitments, finding himself unable to honestly express his feelings
to three women he meets at a seaside resort. Like so many Rohmer films,
the story takes place at a time when the characters have nothing to do
but meet and talk and idle the days away, and you can be certain there
is plenty of talk. Gaspar is a tall, slender young guitar player who comes
to Brittany on vacation from his job as a mathematician and spends time
by himself composing and playing music.
Pausing long enough to
get out and see the town, Gaspar meets Margot (Amanda Langlet) an ethnologist
working in a local restaurant. He develops a relationship with Margot but
it is all very platonic as Margot is waiting for her boyfriend to return
from the Peace Corps and Gaspard says that he is waiting for the arrival
of his girl friend Lena, vacationing with her cousins in Spain. Margot
and Gaspard take long walks in the French countryside and engage in witty
and intelligent conversation about relationships, jealousy, and sex and
they seem well suited for each other but each avoids an emotional connection.
At Margot's suggestion Gaspar meets another girl, Solene (Gwenaelle Simon),
at a disco and they share a love for music but Solene becomes demanding
when Gaspar is reluctant to make a commitment to take her on a trip to
a nearby island.
His ego is strengthened
by Solene's attraction to him, but when Lena finally shows up, he must
deal with her mercurial temperament, especially when she tells him that
he is not worthy of her. Eventually, the young man digs himself quite a
hole as he makes the same promise to all three women and is fearful of
confronting them to explain. A Tale of Summer is one of Rohmer's lighter
films and I found it to be a lovely and engaging way to spend two hours.
Though his characters have plenty of flaws that are all too apparent, Rohmer
does not judge or evaluate them but accepts them the way that they are
-- so, for all their faults, I suppose we should as well.