"The Maori culture that
I know is strong and rich and deep and profoundly spiritual and existing
in every part of the country (New Zealand). But those aren't the stories
that are being told" - Niki Caro
When I heard that
Whale Rider was about gender empowerment in an aboriginal culture
and had the tagline "one young girl dared to confront the past, change
the present, and determine the future", I thought it would be another example
of predictable formula entertainment. Surprisingly however, the new film
by Niki Caro transcends the limitations of its genre and delivers a genuinely
moving tribute to the unique language and culture of the Maori, the aboriginal
tribes of New Zealand.
Based on a novel by Maori
writer Witi Ihimaera, it is the story of Paikea (Keisha Castle-Hughes),
a 12-year old girl who seeks to overcome a thousand-year tradition and
become the first female to assume the leadership of her people. According
to the legend of the Ngati Konohi tribe, their ancestor Paikea founded
their village in the 8th century after arriving on the back of a whale,
and from that time tribal chiefs have been exclusively the first born male
descendant of the ancestral line.
The film begins with tragedy.
Paikea narrates "When I was born, my twin brother died and took our mother
with him." The tragedy leaves the tribe without a chief when Koro dies,
since girls are not considered to be proper leaders. Pai's father Porourangi
(Cliff Curtis), unwilling to endure the badgering by his own father Koro
(Rairi Paratene) to produce a male heir, abruptly takes off for Europe,
leaving the infant Pai to be raised by Koro and Nanny Flowers (Vicky Haughton),
a worldly-wise and quietly supportive grandmother. After ten years have
passed, Koro, resigned to the fact that his son will never produce a male
heir, begins training local boys in the rituals and tasks associated with
being a tribal chief. Koro is obstinate in defending the traditions of
the tribe, believing that "you don't mess around with sacred things", and
excludes Pai from the training sessions because she is a girl. Pai, however,
furtively watches the boys go through their rituals, learns the language,
songs, and history of her people, and readies herself for the opportunity
to prove to Koro that she is the only one with a mystic connection to the
whales.
As a test to see who is
ready to become chief, Koro takes the boys out on his boat and throws his
symbol of leadership - the tooth of a whale overboard, asking the boys
to retrieve it. Though no one passes the test, Koro remains determined
not to back down on his commitment to finding a male heir, keeping the
film at a high level of tension through to its gripping conclusion. Though
Whale Rider is at times heavy-handed in its portrayal of Koro's
intractability, it succeeds because of its honesty and the natural ability
of Keisha Castle-Hughes to make Pai's character come alive. It is her willingness
to overlook the shortsightedness of her elders and remain focused on her
purpose and the needs of her people that makes the film a memorable experience.
Whale Rider is a simple story, and a rare delight for children and
parents, inspiring us to get in touch with the traditions of our own culture.
Howard
Schumann