A film director with
writer's block leaves the city of Seoul to finish his script at a Korean
seaside resort. An entanglement with two women, however, reveals his inner
confusion and forces him to confront his self-defeating behavior. Hong
Sang-soo's latest, Woman on the Beach, is a comedy drama about love and
the complications that develop in relationships when one partner is less
than candid with the other. Like the films of Eric Rohmer, Woman on the
Beach is simple on the surface yet explores a deeper layer of complexity
in human relationships that is insightful and revealing.
As the film opens, director
Joong-rae (Kim Seung-woo) travels to Shinduri Beach on Korea's West Coast
hoping to renew his inspiration. He brings along his production designer
Chang-wook (Kim Tae-woo) and Chang-wook's girl friend Moon-sook (Ko Hyeon-geong),
a composer of popular songs. It becomes clear almost immediately that Moon-sook
is enamored with the director and the two soon sneak away from Chang-wook
and find an empty hotel room where they exchange vows of love. On the surface,
she is a strong, independent woman, while Joon-rae gives the appearance
of a calm and confident artist, yet both are rebounding from previous relationships
and are very vulnerable.
When the morning comes,
Joong-rae's warm emotions of the previous night have turned chilly. Unable
to confront the feelings that reminded him of his failed marriage, he feigns
anxiety and asks to be driven back to the city, leaving a phone message
for Moon-sook. When he returns to the seaside after a few days, on the
pretense of asking for an interview for his film, he meets Sun-hee (Song
Seon-mi) who resembles Moon-sook. They spend the afternoon and night together,
exchanging vows of affection, similar to those given to Moon-sook.
When Moon-sook comes looking
for him in a drunken rage, however, he has to confront his deceptions and
the tangled web he was woven. Woman on the Beach is a thoroughly engaging
film with sparkling dialogue, complex characters, and outstanding performances
from the lead actors. If it leaves us with a touch of sadness about people's
inability to connect, it also leaves us smiling about their resilience
and capacity for joy. Though Hong's characters are flawed, we identify
with their weakness because they are all too human and may even reflect
our own failings.
GRADE: A
Howard
Schumann
Seen at the Vancouver
International Film Festival (VIFF) 2006.