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Set in Paris in the 1890s and based on actual police accounts, Casque D'or is not an arid period piece or costume drama, but a rich, vibrant, and lovingly evocative work that successfully recreates the ambience of Paris at the turn of the century. Unlike Melville's Le Samourai which was filmed in near darkness to capture the sullen milieu of the underworld, Becker bathes his film in a dazzling poetic light that belies the darkness of its theme and some scenes have been compared to an impressionist painting. Marie is being "kept" by Roland (William Sabatier), a volatile and jealous dandy and is also sought after by the crime boss Felix Leca (Claude Dauphin). Manda and Marie fall in love but soon Manda runs afoul of the law after killing the jealous Roland in a fight. Leca seizes on this opportunity to remove Manda from the picture by framing his closest friend but doesn't count on Manda's dedication to doing what is right. Despite being about the criminal element, there is little violence in Casque D'or and it is more of an moody romance than a crime drama, perhaps accounting for its initial failure at the box office. The most brilliantly realized sequence takes place at a countryside retreat where Manda and Marie go for a few hours of happiness together before the inevitable denouement. Casque D'or is a film about friendship, loyalty, and, most of all, about passion and its consequences. When Marie hears wedding bells and drags Manda into a church, all he can say is "not now", but his expression suggests that he knows that their love will be a dream that fades into dawn. GRADE: A
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