Nominated for the Golden
Bear Award at the Berlin Film Festival, André Techine's Changing
Times reunites French superstars Catherine Deneuve and Gerard Depardieu
for the seventh time. Set in Tangiers, Morocco in the fifties, the film
tackles large topics: temporary pleasure versus enduring commitment, the
status of women in Morocco, bisexuality, and the economic gap between wealthy
European nations and the third world, but none are fully developed. Along
the way, we see refugees waiting by the sea hoping for voyage to Europe,
Arabs slaughtering sheep in the desert, and women afraid to be seen in
public with men. The film has a fragmentary quality and, in spite of some
lyrical moments, is mainly a star vehicle that cannot decide whether it
wants to be a comedy, a tragedy, or political commentary.
The film begins as a landslide
buries Antoine Lavau (Gerard Depardieu), a supervisor inspecting a construction
site, and the film proceeds with flashbacks to Antoine's arrival in Tangiers
and his subsequent life in Morocco. Lavau has come to Tangiers to expedite
the building of an audiovisual center in the Tax Free Zone of Tangiers.
Perhaps sexpedite might be more to the point as he has basically come to
rekindle a romance with Cecile (Deneueve), his first love with whom he
is still obsessed, even though he has not tried to contact her during the
last thirty years out of fear of rejection. Cecile is a radio announcer
on a late night music and talk show. Antoine sends her flowers anonymously
and spends his nights listening to her voice on the radio. In a scene played
for laughs, he even watches a video about voodoo so he can render her powerless
to resist his advances. When the two finally meet, it is only after Antoine
runs into a glass wall breaking his nose.
Cecile has changed greatly
since coming to North Africa and has neither fond memories of Antoine nor
any wish to rekindle their romance. She is remarried to Natan (Gilbert
Melki), a Jewish doctor and they have one son, Sami (Malik Zidi), a bisexual,
who has been living in Paris with his Moroccan girl friend Nadia (Lubna
Azubal) and her son Said (Idir Elomri). He is in Tangier visiting his family
for the holidays and renewing acquaintances with his Moroccan lover Bilal
(Idir Rachati) who lives in a country estate well protected by a pack of
none too friendly dogs. Nadia, who suffers from emotional problems and
takes tranquilizers, wants to visit her twin sister Aicha while in Tangiers
whom she hasn't seen in six years but Aicha refuses to see her, telling
Nadia that it would complicate her life. These episodes have some tender
moments but we do not learn enough about either sister or for that matter
Sami or Bilal to have any emotional investment in their lives. As Cecile's relationship
with Natan becomes more and more strained, she begins to open up a little
bit to Antoine and starts to show some affection, but this is interrupted
by Antoine's accident at the site, leading to a contrived and predictable
resolution of the plot. Although Changing Times contains some fine
performances by two outstanding professionals, little emotion is conveyed
and I did not find the relationship to be truly convincing. The times they
are-a changin' and if this film is any indication of the direction of André
Techine's work, it is not for the better. Perhaps someone should have considered
putting a voodoo spell on the scriptwriter. As it is, there is much good
intention but little magic.