American Pie was hugely successful as a franchise but
it has been responsible for spawning similar (and
better), ilk which is aimed at the funny bone of the
hapless male bumbling his way through life and
relationships. We are talking here not of the Slacker
generation who made an art form out of doing and being
nothing but dawdling philosophers. The demographic for
the male geek comedy is middle aged (35-55), middle
class (educated and professional) with a good
wage/income bracket, but with eternal bachelor
tenancies, regardless of relationship status.
They have taste, good women - also of professional
status, read notable gadget magazines and love good
company and porn (usually). The British nods to this
phenomenon were encapsulated by the novels of Nick
Hornby and in the films 'About a Boy', 'Fever Pitch',
The Bridget Jones films, and the wonderful High
Fidelity - set to London, transferred successfully to
Chicago. The issues are about maturity,
self-discovery and the acceptance of the inevitable
but with some gags thrown in. Often, if not always the
plotlines are very far-fetched, as with Hot Tub Time
Machine - the film that fits within the mould but
throws some science fiction in for good measure. The
film served as a kinda salute to Back to the Future.
The in jokes are so widely applied so as to assure
cult status note the raging success of Anchorman which
is one of the best and funniest examples. Using the
term 'guns' for arms is inspired and the plot and
dialogue SO LUDICROUS so as to ignore the blatant and
forgivable sexism in the story. It is one of the
funniest films of the last ten years with strong
competition from hilarious first cousins Dodgeball,
Wedding Crashers and 40 Year Old Virgin. Kings
here are the Ben Stiller vehicles Zoolander and Tropic
Thunder which are definitive examples of modern comedy
at its best.
The comedies can also include the documentaries
'Jackass' which are extremely funny in spite of being
stomach churning and retch inducing (note a character
attempting to drink fresh horse spunk in Jackass
II). The Hangover is aimed at the same market
but has not got the clout of the examples posed here.
The sequel was awful. In Security though shares some
of the best elements of its brethren: good
casting, comedy timings, and a funny as hell
storyline. It can get violent - but this is absorbed
by the comedy.
In Security
Director (s): Evan & Adam Beamer.
94 mins
The premise is simple: two guys running a home
security high street business are in the wrong
business in the wrong town. There are no robberies and
hence no need for them. Kevin and Bruce are
different men and in reality would find it difficult
to run a business together. Kevin (Ethan Embry)has a
committed relationship and is feeling the pressure to
up the ante a bit by his long suffering and fancy
dress costume seamstress girlfriend Lena (played by
Clea DuVall). Bruce (Michael Gladis) is different and
has no commitments but has an addiction to a video
game.
He is though the engine of the relationship and is the
most proactive in the story movement. Not surprising
as this is the actor of the film with the biggest
recent credentials: Michael played the ad executive
(Harry) in seven seasons of Mad Men. His character
there has the frustrations of being part of the
creative team and the sense of demotion from the upper
echelons of management. His capabilities are more
stretched here with the responsibilities of carrying
most of the comedic meat of the film, with the
exception of the brilliant turn of Cary Elwes as the
torturing villain. Kevin is the developmental role
with his friend always being the boldness and bravery
until the third act.
The story is told in retrospect/flashback with Kevin
on a tropic location explaining his riches to a group
of listeners having just listened to the story of
Vinnie Jones (sitting with arm broken and in a brace).
This is a very redundant part of the story with no
reference made to Vinnie again throughout the film. He
has a skydiving moment which must have something to do
with compromise and money: there must have been a
moment when an agent somewhere pitched for his
inclusion as a comedy performer of the high jinks
variety, otherwise this offensively talentless
individual should not be in the same room as the
others in the film. Since the ridiculously immature
and successful 'Lock Stock and Two Smoking Barrels'
Vinnie Jones has found his nasty way in the most
inappropriate comedy vehicles. He is on screen for
about five minutes but has top billing. He is one of
the few blots on the otherwise flawless landscape of
this superior comedy, the other being the near cameo
roles of the excellent Adam Arkin and Ed Begley Jr.
not having enough to do. Ving Rhames (Marcellus in
Pulp Fiction) is lovely as the policeman and the two
other heavyweights in the film should have been handed
some sub plots with gravitas to make them a little
more pivotal than they are.
The sequences where the guys are going around robbing
their neighbours are genuinely intense and funny: with
the porn snatching very credible. The rival IDT
Security firm and their use of the term 'bitch cocks'
to describe their competition is right on for the geek
comedy of type as is the password to a fenced and
resold computer 'cockandballs.' It is impossible
to go through a comedy of the Geek variety without
references to guys being gay, the slang names of
genitalia being used as pet names for each other and
without the hen pecked male put under pressure to grow
up. The character of Lena is more sympathetic than
most, though her irritating use of the term 'family'
to describe a couple grates after a while and it is
true to form that her character should irritate both
us and the unattached male: Bruce. It is always nice
in a geek comedy when the central character has a
female counterpart as in 40 Year Old Virgin where the
girl sold gadgets on EBay to the guy selling in a tech
store.
The story is of the same ball park as 'Be Kind,
Rewind' the Jack Black feature where the onset of
tragedy is averted by delving into dubious illegal
behaviours, this being equally as funny and given the
right treatment destined to have the cult status of
BKR - though 'Sweding' did help that particular Geek
Feature pass into the realm of cult iconography.
What helps this is the presence of the cult actor Cary
Elwes, (The Princess Bride), looking middle aged after
his heyday but turning in a great performance as the
killer with a fetish for kitchen gadgetry. The torture
sequence is funny in spite of its gruesomeness as we
watch a recently chopped finger going into the deli
slice.
All the right references are here with all having a
ball in the process. Not quite in the same league as
the top notch efforts mentioned in this piece but way
ahead of The Hangover II, which was a waste of time
and money. Let's hope that the franchise ends there.
All films mentioned are available to rent on Amazon.