Georg Koszulinski’s documentary
Cracker Crazy: Invisible Histories of the Sunshine State reminds us that
beyond the history we read in text books there is often a hidden history,
shrouded in myth. According to Koszulinski, “all histories are invisible
but some are more invisible than others”. Case in point, the history of
Florida where the popular images of bathing beauties, sandy beaches, and
tourist hotels hide an untold story of racism and exploitation. The film,
culled from 850 images and 1,000 films in the Florida State Archives in
Tallahassee, looks at Florida from the point of first European contact
to the 2000 election. Employing both narration and extensive use of inter-titles,
it depicts the struggle of the Calusa, the Seminoles, and the Creeks to
hold onto their land against the many encroachments of Europeans and Americans.
Modern Floridian history
began with the Spanish expedition of Ponce de Leon, the first white man
to reach Florida in 1513. It was a time when 350,000 Indians inhabited
the State. Ostensibly looking for the Fountain of Youth but more likely
seeking gold to pad his country’s coffers, Ponce de Leon brought cattle
and 200 passengers when he returned after his initial visit but was killed
by Colusa Indians who had heard stories that the goal of the white man
was to enslave the brown man. Hernando de Soto soon followed and discovered
the Mississippi River for the Europeans but also baptized natives in blood,
massacring and mutilating them in the process.
Koszulinski details the
trek of the 1000 Creek Indians who escaped into Florida and the killing
of 800 of their warriors at the Battle of Horseshoe bend by Andrew Jackson,
earning him the nickname of “Sharp Knife”. The biggest segment is devoted
to the Seminoles and the two wars they fought, the longest and costliest
Indian conflicts in U.S. history. Andrew Jackson attacked a Seminole fort
in 1816 because it harbored hundreds of runaway slaves, thus initiating
the First Seminole War. The Second War, which lasted for seven years, was
touched off by the Dade Massacre, the largest slave uprising in U.S. history
in which 16 plantations were destroyed.
Fighting to overcome plantation
owners who sought to recapture runaway slaves who lived among the Seminoles,
the Indian warriors, led by Osceola, fought bravely but were eventually
forced to give up 28 million acres of land in exchange for a reservation
near Lake Okeechobee and most of the tribe was exiled to lands west of
the Mississippi. Because of the inhospitable land on the reservation on
which they were unable to grow crops, they often had to migrate beyond
their boundaries to grow crops to eat. The boundaries, however, were strictly
enforced by laws that allowed anyone to arrest an Indian found off the
reservation.
The film then describes
the failed efforts of Henry Flagler to build a railroad and an overseas
highway to Key West, the resurgence of the Ku Klux Klan after D. W. Griffith’s
Birth of a Nation, and the slaughter at Rosewood in 1923 where 100 black
residents were massacred by Klan members and the town destroyed because
a white woman claimed she was assaulted by a black man. In addition, the
film relates how the first hotel built in Miami, The Royal Palm, was constructed
on top of an ancient Indian burial site whose remains were tossed into
an open pit, and discusses the plight of Latino farm workers, mostly illegal
aliens who are exploited with impunity.
Though the Spanish stronghold
would be compromised by Great Britain and later the United States who acquired
Florida in 1845 because slaveholders demanded it, massive Spanish influence
remains, but the film is strangely silent about the influx of Cuban refugees
in South Florida during the last twenty years. Cracker Crazy, however,
is a fascinating documentary that is backed by an outstanding soundtrack
of archival blues and folk songs from the Florida Folklore Collection and
Archives. While the sequence of events is somewhat disjointed and jumps
in time are confusing, it is still an important and very entertaining film.
Cracker Crazy, scheduled for limited release in June 2007, tells it like
it is, or like it was. “Like a specter whose death remains unavenged”,
Koszulinski says, “time passes, history becomes myth, and our lies and
half-truths are forgotten”. Cracker Crazy will not let us forget.
GRADE: B+
Howard
Schumann