Frank Perry's 1962 film
David and Lisa is based on the book Lisa and David by Dr.
Theodore Isaac Rubin about two disturbed teenagers in a residential treatment
centre whose growing affection for each other begins to break down the
limitations of their illness. The film was one of the first to deal openly
with the emotional problems of teenagers and we can forgive it if it now
seems dated and a trifle clunky. At the time, however, it was a breakthrough
for independent filmmaking, grossing five times the amount of its budget
during its first week of release. The dialogue was unusually honest for
its day and the black and white dream sequences far ahead of its time.
In spite of some over-the-top acting and stilted dialogue, the film works
because the two leads are so appealing and because we want to believe that
they can help each other.
Seventeen-year old David
Clemens (Keir Dullea) is highly intelligent but suffers from an obsessive-compulsive
disorder that makes him terrified of any human contact. Lisa Brandt (Janet
Margolin) is a schizophrenic who speaks only in singsong rhymes to avoid
losing her identity to Muriel, her other self. David's violent aversion
to being touched lands him in institution run by Dr. Swinford played very
effectively by previously blacklisted actor Howard Da Silva. When David
first arrives, he is angry, fearful, and wound into a tight knot. He starts
to breakthrough when he begins interacting with Lisa, though he is forced
to speak to her only in rhymes. Through their friendship, David gains a
measure of self-esteem denied to him by his family, amply demonstrated
when he is taken home from the institution and is witness to nothing but
parental bickering. When David is able to also establish a friendship with
other inmates, Lisa becomes jealous and runs away until they meet again
in an extremely moving conclusion.
While the material has
been adapted from actual case studies, it is not clear where reality ends
and drama begins. There is very little structure at the school, no group
counseling, no hint of medication, and no insight into what is actually
troubling the other inmates, yet this does not stop David and Lisa from
being an engrossing story in which we care about what the characters. Janet
Margolin's innocent smile is enough to light up the darkest room and Dullea
plays David with an involving sensitivity. While there may be some smirks
along the way, when the film is over, grudging admiration gives way to
strong appreciation.