In the film industry,
there is a cliché saying ‘no children or animals’, meaning that
these two categories are known to be difficult to work with and should
best be avoided. However, in the case of Les Diables, one sees an
exception to this rule because all the children put in such a big effort.
Especially the two young leads, Adele Haenel and Vincent Rottiers, who
turned out such wonderful performances.
Les
Diables is not an easy film. There are disturbing images, disturbing
‘child’s logic’. This is a very bold attempt of a rather difficult topic.
Society, law and society, coming out of age and sexual awareness, two misfits,
two runaways and two outlaws. Nevertheless, there are a few tender
moments - when the two children are together, when they are in a world
of their own, they have a kind of sweetness that no one outside it can
understand. Here, the director depicts love, strong love, an unbreakable
bond that no one can take away; an inter-dependency - they really needed
each other to exist, to survive.
Adele Haenel was superb
in playing the mentally retarded 12-year old, with her dumbness and her
special walk and feet stamping as well as her very innocent sweet smile.
However, Vincent Rottiers as the 15-year old was particularly impressive.
His expression said it all…his anger, despair, hatred, his inner conflict,
his love and sense of responsibility that forced him to mature before his
age. He portrayed them all incredibly. He is definitely one to watch out
for the future.
The story may not be completely
plausible and it may even be upsetting at times, but the director has truly
produced a remarkable piece of work with the two young leads. On
leaving the cinema, one could not help but feel utterly sympathetic to
the two poor ‘devils’ who did not know which way to turn. It is worthwhile
just to go and see their performances and their performances alone!