Well, enough time has elapsed for the 'real'
princess of people's hearts to have a cinematic
treatment. The Queen has been done, and The Iron Lady
got Meryl Streep the best actress Oscar. Really, it is
surprising that some conspiracy theorist from the
Diana & Dodi were dangerous camp hasn't ventured a
screenplay and at least a cheesy daytime soap split
into segments. For this is where the life of Diana
Spencer truly belongs, and whilst this film has been
generally panned, it is worth bearing in mind that
there was never likely to be a film like this made
about Diana Spencer. This could and should have been a
miniseries aimed at afternoon melodrama audience and
this is the main flaw with the entire project.
Its appeal among gays and Diana fans is assured as
this is the film that gives over the life of her
affair with (ahem) a heart surgeon. Diana was never
likely to have an affair with a surgeon of any other
organ of the body. We can all now rest assured that
this abandoned woman scored by her prince and reviled
by the men in suits, had true love in the form of a
smoking, Muslim, traditional family man who in
turns adores her and hates the life she leads.
Yep, soapier than a 2 for one offer of Daz. "I think I
have the right to be confused when I am up against a
gorgeous creature like you….' Is but one of the many
guffaw inducing bits of dialogue you will hear. The
presence of Geraldine James and Juliette Stevenson as
guru insider and friend in turns cannot give this
movie the gravitas it so desperately craves. Why try…?
The so bad its good, camp as Christmas film is
something to be really proud of.
The film takes itself too seriously - the subject
matter, though deemed important at the time, now is
dated and tired. Naomi Watts has walked out of
interviews about this film and has been more than a
bit tetchy about it. The special features are full of
the various key players in the film talking to the
camera about how interesting it was to look into the
little known area of her life. There have been no
subsequent law suits so it is imagined that this
feature will have had to have many seals of approval
before the filming even started though no-one goes
near this most attractive aspects of the story, or
that before this filmed revelation, her affair with
James Hewitt was the 'legend.' The best part by far
was the bit where the director informs us that her
time with Dodi was no more than 26 days. Hmmmm,
interesting, so that puts play to the theory that they
were madly in love and were on the brink of marriage.
Or does it? The film would have us believe that one
Muslim was swapped for another (with a speedboat) and
a playboy lifestyle, or was this done to make the man
in her heart jealous???? Yep, more foam.
It charts the time period post-split with Charles to
her death in Paris in 1997. Of course Diana falls head
over heels for this fellow Hasnet Khan (played by
Naveen Andrews) he saves lives after all and for him
she wears dark wigs and accompanies him to bars and
has clandestine meetings at Kensington Palace, and his
pokey flat. He finishes with her once and she goes
over there to clean it, putting on rubber gloves that
he has in his cupboard like every male does. She is
taught how to listen to jazz for him and there is a
segment on them frolicking on a beach to a smooch
French soundtrack. Her work with landmines is the
redeeming feature, with the closing credits reminding
of the changes in the policies and in the issue since
she highlighted it and it is no doubt that this is the
case. The dress sales for charity, the hospital visits
etc…are all there as reminder of why the outpouring of
grief and the reasoning of the superior The Queen.
This is by no means a good film. But more importantly,
it doesn't have to worry about it.