Voted the most popular
Canadian film at the 2005 Vancouver Film Festival and winner of the Special
Jury Prize in the World Dramatic category of the Sundance Film Festival,
Vancouver director Julia Kwan's Eve and the Fire Horse weaves an
imaginative tale of the spiritual awakening of two young Chinese-Canadian
sisters. The film is set in Vancouver, Canada in the 1970s and is loosely
based on the director's personal memories of her immigrant experience.
As the film opens, nine-year old Eve (Phoebe Jojo Kut) explains that she
was born in 1966, the year of the fire horse, an event that takes place
only every sixty years and is considered to bring bad luck.
According to Ms. Kwan,
"the last time it occurred, the abortion rates spiked in Asia because nobody
wanted a child who was a fire horse. A fire horse is a strong-willed and
independent thinker and independent thinking isn’t a very Confucian thing
where you’re supposed to submit to parental authority." In Eve's imagination,
she sees the unwanted fire horses drowning underwater. In her mind, her
bad luck is manifested when her mother (Vivian Wu) suffers a miscarriage
after cutting down an apple tree, her uncle (Joseph Siu Kin Hing) chokes
on some noodles, and her grandmother (Ping Sun Wong) dies shortly after
watering the garden.
Seeing Buddhism as a religion
of luck and superstition, Eve and her 11-year old sister Karena (Hollie
Lo) turn away their family's traditional religion to embrace Catholicism
after they receive a book about Jesus from door-to-door evangelists. Karena
immediately becomes a strong believer and Eve follows along, though she
does ask questions about whether Jesus and Buddha are friends. In her imagination,
she pictures Jesus and Buddha dancing together in her living room. The
girls form an order they call "The Daughters of Perpetual Sorrow" and perform
charitable deeds around the neighborhood. Their father Frank (Lester Chit-Man
Chan) is upset when the girls say grace at dinner and when they will not
honor their ancestors by bowing, but the family's innate stoicism and desire
to assimilate takes precedence over their beliefs. Their mother sends the
girls to Sunday School saying that two Gods are better than one (a very
pragmatic approach), and they begin to bring crosses and pictures of Jesus
into the home.
Although her father tells
Eve that her grandmother will be reincarnated as a goldfish, an idea Eve
finds very comforting, she is told in Sunday School that her grandmother
has been sent to Hell for being a Buddhist, but this does not seem to deter
her. She learns the proper position for praying, watches as Karena aggressively
tries to convert a young Sikh boy to Jesus, and participates in a scary
baptism ritual in her bathtub. Eve and the Fire Horse is a heartfelt film
and while it has much to recommend it, I found the performances weak and
the film disjointed and lacking in a clear point of view. Without commenting
on aggressive Christian proselytizing, the film appears to endorse it in
spite of a near-death experience in which God embraces all faiths.