Ayer wrote the excellent
'Training Day' which followed the day in the life of new recruit, Ethan
Hawke as he attempted to gain enough respect from his prospective boss,
Denzel Washington, who won an Oscar for his portrayal of the tyrannical
lawman who thinks he is above the law.
While that film asked
questions about race and working upon that by making the superior black
to the inferior white cop; this time we have the story of Jim Cross (Christian
Bale) who is a (2nd) Gulf War veteran attempting to gain employment with
the LAPD, while his friend Mikey (Freddy Rodriguez) attempts to find any
entry level position. Both men have their demons; Jim cannot tell
the difference between the war-zone and the gangland wars he thinks are
the same thing in Los Angeles and Mikey has problems with alcohol and a
wife who is an assistant District Attorney.
The film unlike 'Training
Day' does not have the constraints of a 24-hour time span in which to draw
a picture of somebody and implode on it. This follows a one week
time frame as Jim overcomes disappointment and then gets offered a position
for Immigration Services in Colombia, which may put the brakes on his intention
to marry a Mexican girl.
The film is shot breezily
and works well because of the great chemistry between Bale and Rodriguez
whose friendship and peer pressure on each other leads to all manner of
incidence. At one point you wonder how many days must they waste
before something productive occurs to them allowing the narrative thrust
of the film to go forward.
And while Bale does control
the entire scope of the film - he acted as executive producer - his character
another of his psychologically damaged roles of which he has built quite
a cornerstone for; it is credit to Rodriquez who more than holds his own
against such a presence combining wit, fear and strength in depth.
Support comes from Eva
Longoria (Desperate Housewives) and J. K. Simmons (Spider-Man) but their
roles are not as fully developed as the main two protagonists, but when
the acting is this strong this is but a tiny criticism.
Ayer in his first directorial
outing does well, using steady camerawork and takes an interesting concept
for Jim and Mike's ridealongs. Shooting from outside of the car,
Jim and Mike talk in the shadow of tall buildings across their car window
putting into perspective their dreams and ambitions are very much small
in comparison to the others and that they really are still college boys
who have not yet grown up while the rest of the world has moved on.
Jamie
Garwood