Just over ten years ago,
Rwanda, a former Belgian colony the size of Vermont, became a horrific
killing field, the result of ethnic, social, and political hatred between
the majority Hutus and the rival Tutsis, the former ruling elite who ran
the country for the Belgians and treated the Hutu as second class citizens.
The Washington Post reported "how the heads and limbs of victims
were sorted and piled neatly, a bone-chilling order in the midst of chaos
that harked back to the Holocaust." The massacre that claimed over one
million lives was triggered by the still unsolved assassination of Hutu
President Juvenal Habyarimana, whose plane was gunned down by missiles
on his return from a conference in Dar-es Salam. Senior Hutu leaders used
the downing of the plane as an excuse to exterminate Tutsis and moderate
Hutus. While the UN maintained a peacekeeping presence they did not intervene,
nor did the U.S., France, Belgium or other Western powers who had the power
to stop it.
In the Oscar-nominated
film Hotel Rwanda, the atrocity is dramatized through the story
of the determination of one man who sheltered over 1000 Tutsis including
his wife (Sophie Okenado), a Tutsi woman, and his children. Don Cheadle
portrays hotel manager Paul Rusesabagina in a towering performance that
earned him an Academy Award nomination for Best Actor. Rusesabagina, who
served as an advisor to the film, managed the Belgian-owned Hotel Mille
Collines in the city of Kigali, a luxury hotel where UN dignitaries socialized
with Western diplomats and media. As homes are invaded and bodies pile
up, people are forced to leave their homes and seek shelter in churches,
schools, and in this case the luxury hotel.
As the sounds of fighting
outside increase, the White guests are forced to leave and the remaining
Africans are left to defend themselves with the token aid of the UN peacekeeping
force, led by Colonel Oliver (Nick Nolte), who is faced with an insurmountable
task. With supplies of food and water diminishing and the violence increasing,
Paul pleads with his guests to telephone the outside world in a plea for
help but with scant results. The comment by an American journalist about
the value of airing a segment explicitly showing Hutus hacking Tutsi civilians
puts it into perspective: “They will go … ‘O God, that's horrible!' and
then go back to eating their dinner.”
Hotel Rwanda allows
us to see the conflict in human rather than political terms and Paul's
loving relationship with his family is believable and deeply affecting.
Though scenes of gory violence are kept to a minimum earning the film a
PG-13 rating, the scene showing Paul and his assistant Gregoire driving
through fog and discovering hundreds of bodies of slaughtered innocents
lying on the road, stands out for its understated horror. Though not justifying
the massacre, more historical background would have been helpful such as
knowing the role of the Belgian colonial authority in fomenting ethnic
division in the country, and the 1990 invasion of Rwanda by the exiled
Tutsi-led Rwandan Patriotic Front with the support of the Americans and
the British. While Hotel Rwanda may fall short of greatness, it
is nonetheless a moving and powerful film, an unflinching indictment of
the political extremism that fed the turmoil, the indifference of self-satisfied
Western nations, and the courage and tenacity of one man who made a difference.