"There are certain things
that happen in the film that cannot happen unless the world is a very odd,
mysterious, and unreal sort of place" - Mike Newell
In Mike Newell's 1992
film Into the West, Papa Reilly (Gabriel Byrne), a member of a little
known Irish sect of Celtic origin called "The Travellers", is left to care
for his two young boys after his wife Mary dies giving birth. Like Gypsies,
the Travellers live a nomadic life, existing on the fringes of society.
Buoyed by a humorous script by Jim Sheridan (My Left Foot), the
film aims for light family entertainment but the depiction of the poor
and outcast and a shift toward the spiritual takes it into deeper territory.
The film opens in a dark
place. Reilly, depressed by the death of his wife, has left the Travellers
and is drinking heavily and living on welfare in Dublin. When the boys,
8-year old Ossie (Ciaran Fitzgerald) and his protective brother, 12-year-old
Tito (Ruaidhri Conroy), are given a snow-white horse as a gift from their
grandfather (David Kelly), however, the film turns a corner. Grandpa Ward
tells the boys about the Celtic legend of a white horse named Tir na nOg
who comes from the land of eternal youth, and they promptly call their
horse Tir na nOg. When the authorities find the horse in the Reilly's flat,
however, they sell him to a wealthy businessman who discovers that the
horse is a graceful jumper and primes him for competition.
The boys, who have formed
a strange bond with their horse, promptly steal him back. Escaping from
the pursuit of villainous authorities, they embark on a journey to the
west of Ireland, following the white horse wherever he takes them. Pretending
they are cowboys, the boys get into one harrowing escapade after another,
at one time taking the horse to a movie theatre and another time for an
elevator ride in an apartment building. Redeemed by a relationship with
a "fellow Traveller", Kathleen (Byrne's real-life wife Ellen Barkin), Reilly
realizes he must save both himself and his children and takes off after
them with renewed vigour.
Into the West is
a spirited adventure combining mysticism, social realism, and action/adventure
that transcends the facile Disney genre and has a universal appeal. If
you think you are too jaded by modern society to enjoy this film, just
close your eyes and remember how the world looked when you were 12-years-old.
Now climb onto your magic horse and go where it goes.
Howard
Schumann