George Miller's The
Man From Snowy River is an old-fashioned Western that features strong
acting, stunning mountain vistas, a wonderful score by Bruce Rowland, and
an involving coming-of-age-story with characters you can believe in and
root for. Being a lover of horses and films about horses, this one had
me at Whoa! The film is based on an 1890 poem by "Banjo" Paterson
about the pursuit of a prizewinning racehorse that has escaped from its
paddock and is living with the "brumbies" (wild horses) of the mountain
ranges, although the issues it raises about feminism, ecology, and animal
liberation seem more contemporary than historical.
Young Jim Craig (Tom Burlinson)
lives with his father near the Snowy River, a real river that flows along
the eastern border between New South Wales and Victoria. After his father
is killed trying to corral a herd of wild horses, Jim takes a job in the
low country with a rancher named Harrison (Kirk Douglas) to prove himself
worthy of living in Snowy River and earn the money to return to the mountains.
When Harrison's men go off on a job to round up some cattle, Jim begins
to develop a relationship with Harrison's daughter Jessica (Sigrid Thornton),
a down-to-earth young woman who is more interested in horses and ranching
than in becoming a "proper" lady.
Miller shows the mountains
as the most desirable place to be. Jim struggles to be worthy of them and
Jessica wants to enter that world with him. Their relationship is innocent
yet engenders Harrison's strong opposition because Jim is just a "mountain
boy" and he lashes out at his daughter for not wanting to go to a French
boarding school. At this point Harrison's twin brother Spur (also played
by Kirk Douglas) reappears, a man who has been living in the mountains
hunting gold for years, and nurturing a dark family secret. When Harrison's
prime colt is let loose by some disgruntled workers and Jim is blamed,
his honesty and courage plus his growing love for Jessica are put to the
supreme test in a heart-pounding chase of wild stallions through mountainous
terrain.
The Man From Snowy
River was the first Australian film to occupy the number one position
in box office revenues in the Australian market and has not lost any popularity
or commercial value since, having spawned a brand name of Western gear
and numerous yearly bush festivals celebrating the heritage of the high
country. Like the romanticizing of the cowboy of the American West, the
film has an appeal to those seeking freedom, closeness to nature, and love
of adventure, the life many city people dream about but cannot have. The
mythologies that make the bush, horses, and western gear alluring to a
large cross section of the population have been fully brought to life and
given renewed support in a spectacle that is both entertaining and deeply
moving.