Based on an actual series
of murders in South Korea between the years 1986 and 1991, Bong Joon-ho's
Memories of Murder is a well performed, thought-provoking film about the
investigation into Korea's first serial killings. The film, which combines
bleak reality with dark comedy, is less about the actual crimes than about
the emotional toll it took on the police officers investigating the case.
The film opens in 1986
when South Korea was still under the control of a repressive military dictatorship.
A woman's body is found in Gyunggi province in a drainage pipe in a rural
area outside of Seoul, raped and strangled by her own stockings. The crime
scene is chaotic. Reporters and spectators mill about and a tractor rides
over the area destroying footprints and other potential evidence. Local
police officers Park Doo-man (Song Kang-ho) and his aggressive partner,
Cho Yong-ku (Kim Roe-ha) are in charge of the investigation but are joined
later by a volunteer from Seoul, detective Seo Tae-yoon (Kim Sang-kyung).
The police, however, are
preoccupied with protest demonstrations against the government, and do
not put the necessary manpower and resources into a proper investigation.
A rivalry soon develops between the intuitive Park and the cerebral Seo.
Park claims that he can detect a killer by simply looking into a suspect's
eyes. Seo is more rational and scientific but both overlook crucial evidence
and both do not hesitate to brutalize suspects. Although they force confessions
from Baek Kwang-ho (Park No-shik), a retarded man, and a man who masturbates
at the crime scene, they know that the confessions will not stand up in
court. Showing signs of desperation, they torture an eyewitness to the
murders to the point where he tries to escape and is run over by a passing
train.
Eventually the detectives
locate a suspect who admits that he requested a song heard on the radio
each night a murder has been committed, but not a shred of evidence is
ever found. After they beat him, he tells the police, “People know you
torture innocent people.... You’ll never victimize me.” Memories of Murder
presents a powerfully haunting picture of a society so inured to violence
and repression that a serial killer is a minor annoyance. As more strangled
women are found, a sense of sadness and frustration begins to settle on
the investigation and it becomes obvious that the police force is not prepared
either by education or methodology to achieve results until the society
it operates in can be purged of its authoritarian past.
GRADE: A-
Howard
Schumann