Ken Loach has been making
films about working class families for many years and My Name is Joe
is one of the most powerful. Peter Mullan is instantly likeable as Joe
Kavanagh, a recovering alcoholic from Ruchill, a decaying suburb of Glasgow,
who has a lot at stake. He has fallen in love with Sarah (Louis Goodall),
a health worker, and wants to go straight but circumstances conspire against
him. He is determined to help his friend Liam (David McKay) when he gets
behind on his payments to a drug dealer but his options are limited and
he is forced to make a choice that threatens the stability of his fragile
relationship.
Mullan won the Best Actor
award at the 1998 Cannes Film Festival and it is fully deserved. We know
that Joe's problems are overwhelming but we root for him to make it in
spite of the odds because of his warmth and humor and generosity towards
others. Joe has been sober for a year and attends sessions of Alcoholics
Anonymous. He also coaches the local soccer team composed of unemployed
workers who have won only one game the entire year. When he meets Sarah,
a social worker for the Health Department who is visiting Liam and his
wife Sabine (Anne-Marie Kennedy) and young child, things start to look
up. We do not learn much about Sarah's past but it is obvious that the
two have discovered each other at a crucial point in their life.
In a powerful scene, Sarah
asks Joe why he stopped drinking and he tells her how he had beaten a woman
he was dating and has never forgiven himself. Both are very tentative about
getting involved but they are also drawn to each other and can think about
the future for the first time. Sadly, the world has other plans. Sabine
is a heroin addict who used the drugs she was supposed to sell and is in
serious debt to a local drug dealer McGowan (David Hayman), an old friend
of Joe's. When the mobster boss demands that Liam cover his wife's debt
or they will break his legs, Joe tries to moderate and ends up striking
a deal with the mob, leading to a series of unfortunate events. In one
of the most emotionally gripping scenes, Sarah berates Joe for lying to
her and he responds "Some of us don't have a choice. Some of us don't have
a f***ing choice."
The mean streets of Ruchill
are strewn with the results of urban decay and Loach does not spare us
the details. He even mocks the image of bonnie Scotland with a scene involving
a kilt-clad bagpiper playing the same three songs over and over for a group
of tourists. Combining gritty realism with humor, My Name is Joe
has an outstanding script by Paul Laverty and fully dimensional characters
that transcend clichés. Loach does not pass judgment on his characters
or directly condemn society for their failings. It is a work of compassion
and humanity.