A camera attached to
a moving car takes us down a busy city street in Thailand. Abruptly, the
car turns into a narrow alley where we see brush grass and run down shacks.
As the camera enters one of the houses, a heavy-set woman speaks of the
trauma involved in her being sold into prostitution by her father. When
she is finished, an off-camera voice asks her to tell another story, real
or fiction. It is then that we begin to sense that cinematically we are
in unchartered territory. Internationally acclaimed Thai director Apichatpong
Weerasethakul’s first feature Mysterious Object at Noon is an offbeat mixture
of reality and fiction in which there is no screenplay or linear narrative,
only a story created and added to by each participant in the mode of the
French game “exquisite corpse”.
The story the woman first
tells is that of a teacher named Dogfahr whose young pupil is a cripple
confined to a wheelchair. The tale is then dramatized on screen by non
actors alternating with the talking storyteller. As the camera moves north
and south of Bangkok into the Thai countryside, a cross section of Thai’s
continue the story by adding a few lines. These include two deaf girls
using sign language, a song and dance troupe, and children in a rural Thai
school. With each addition, the tale becomes vastly different and increasingly
fantastic. The mysterious object in the title falls from the teacher who
has collapsed and turns into an extraterrestrial boy with strange powers,
a duplicate teacher, and finally a “witch tiger” and a magic sword.
Some sequences stand by
themselves and are without any relation to the continuing storyline. The
teacher brings her father to the doctor for a hearing test and complains
of a strange line around her neck which the doctor dismisses as an allergy
or the effect of wearing her necklace. Parents talk of a boy who escaped
death in a plane crash because he was protected by amulets, and a scene
shows women bargaining at a fish market. An experimental film with a small
budget shot in 16-millimeter black and white, Mysterious Object at Noon
glows with warmth and playfulness. As it progresses, it also slows down
and becomes more of a meditation on Thai culture, creating a mood of tranquility
and peace. Like Seinfeld, it is ostensibly “about nothing”, but turns out
to be about everything.