It is a wonder how films
like these are not seen by more people. I first saw this film at
the London Film Festival of 2003, and on the success of one Friday night
screening at that festival it earned a UK release in May the next year
through Artificial Eye and has since been televised on BBC Four who show
the best of World cinema and yet if you mentioned to most cinema goers
it would leave a nonplussed expression if that person did not read Sight
and Sound.
Art cinema by the confines
of its nationality and language, it is an earthly story with characters
not unknown to independent cinema. An outsider (by complexion, behaviour
and family) is going about his daily life, until a new girl starts working
at the local garage. We see his encounters with his drunken father,
flustered psychiatrist, angry teacher and ageing grandmother.
The film shows how Iceland
is not shut off from civilisation; the characters mention Japanese movies,
Reggae music and European literature. It is this influx of material
that causes people to leave such assumed countries and attempt to sample
life. This is what Noi attempts to do throughout the film.
It is not explained really as to why Noi wants to leave Finland apart from
maybe a fear of failure or a fear of becoming the father - who himself
is a failure.
Nothing major happens
but there is a cartoon charm and intellect amongst the characters, you
get an understanding of the life Noi lives and how this community interact
and co-exist together, which makes the ending all the more surprising and
easier to commiserate with.
Noi is also a loner, he
wonders around his town like a stranger where he lives. Noi spends
some of his time in a basement hole with a lone light; he sits alone in
the light and thinks. Noi thinks about escaping, leaving and it is
prophetic that his self-inflicted isolation brings about his chance to
escape but with a price.
There is comedy and romance
because you always need it, combined with beautiful photography and a wonderfully
melodic soundtrack that suits the always light but sombre mood.
The cast never stretch
themselves, the laughs come through observation and situation, and there
is a grasp of soundtrack and a belief in an extraordinary character - focusing
on an individual in a small town rather than an individual within a country
or nation.
A film that cleverly works
the circle of life narrative into a wistful hour and a half of wonderful
cinema, that if not through its cinematography, will open your eyes to
a new European director who has a bright future ahead of him.
Jamie
Garwood