In the powerful 1985
film The Official Story, Director Luis Puenzo tells the story of
a teacher's awakening to conscience at the end of Argentina's "Dirty War"
of the late 70s and early 80s. As in Pinochet's Chile, the military secret
police sought to consolidate their power by routinely torturing and murdering
students, political activists, opponents of the regime, and even expectant
mothers. Many ended up as desaparecidos, people taken by the government
and not returned. The film is about one mother's search for the truth about
her adopted daughter and her discovery brings harsh political reality very
close to home.
In The Official Story,
Alicia (Norma Aleandro) lives a comfortable middle class life. She teaches
History to high school students and enjoys a family that includes her well-to-do
husband Roberto (Hector Alterio) and 5-year old adopted daughter Gaby (Analia
Castro). Not used to asking questions, she believes whatever she has read
in history books and is confused when one of her students tells her that
"history is written by assassins." She sees the demonstrations of the "Mothers
of Plaza de Mayo", a group seeking information about missing family members
but remains uninvolved. When her friend Ana (Chunchuna Villafane) visits
after living in exile for many years, however, she learns, in an intensely
emotional scene, that Ana had been imprisoned and tortured by the police
trying to locate her husband, a suspected "subversive".
Ana tells Alicia that
many others had "disappeared" and that babies had been taken from their
mothers and given to childless friends of the junta. Alicia begins to wonder
if her own child was the daughter of a political victim and questions her
husband but when he is evasive, she suspects that he may be hiding a dark
secret. Although fearful at the prospect of losing Gaby, Alicia is determined
to find out about her daughter's past and begins to search hospital records
and government archives. Ultimately, she must confront her own responsibility
in a climax of shattering force that underscores the tragedy of political
ideologues who would rather destroy family solidarity than risk losing
power.