“What we are and what
we seem to be is only a dream within a dream.” - Edgar Allen Poe
In many cultures there
is a tradition that an energy pattern encircles the earth creating ley
lines, power points, and energy-gravity vortexes. It is well known that
Australian Aborigines travel these invisible energy lines from sacred spot
to sacred spot. According to Loraine Mafi Williams, an Aboriginal shaman,
"There are places all over Australia to avoid. These we call "Sacred Sites
and they are sacred in the hope that white people will leave them alone…."
One of these places to avoid may be Hanging Rock, an imposing natural rock
formation about 75 kilometers north of Melbourne in South Australia. This
is the setting for the beautiful 1975 film by Peter Weir, Picnic at
Hanging Rock voted No 1 of the Top 10 Australian films of all time
in a 1995 centenary of Australian cinema. Using Gheorghe Zamfir’s pan flute
and Bruce Smeaton's original score as a background, the film resonates
with a sense of the mystical and timeless.
Based on a 1967 novel
by Joan Lindsay, three girls and a teacher at a rigid Victorian boarding
school for teenage girls vanish without a trace during a school excursion
to Hanging Rock National Park on St. Valentine's Day in 1900. The film
does not concentrate on the investigation into the disappearance but on
the psychological ramifications for the survivors. As the film opens, four
girls, the ethereal Miranda (Anne-Louise Lambert) called a "Botticelli
angel" by her teacher, Irma (Karen Robson), Marion (Jane Vallis) and Edith
(Christine Schuler) accompanied by teachers Miss McCraw (Vivean Grey) and
Madmeoiselle De Poitiers (Helen Morse) leave the picnic grounds to explore
Hanging Rock. Remaining behind is the school's uptight headmistress Mrs.
Appleyard (Rachel Roberts) and Sara (Maragret Nelson), a close friend of
Miranda who is being punished for not completing an assignment. As the
girls visit the hidden passages and odd formations, Weir and cinematographer
Russell Boyd create an otherworldly atmosphere and a strange sense of foreboding.
As they walk, they shed parts of their clothing and, inexplicably move
in single file toward the top of the rock as if being controlled by an
external force.
Two of the three girls
are never found -- only Edith immediately comes back screaming hysterically
uncertain as to what happened to her friends. In addition, Miss McCraw
has also vanished, last seen by Edith running up the rock -- partially
unclothed. No attempt is made to explain the disappearance, but some clues
are provided. One is the fact that the disappearance occurred on St. Valentine's
Day, originally a pagan festival that celebrated sexual freedom, suggesting
an analogy of repressed sexuality. This is heightened by the recurring
image of birds in flight and a blooming rosebud being flattened in a flower
press. Another hint is the appearance of a huge red cloud over the area
and a magnetic anomaly often indicative of UFO abductions. The mystery
remains but the effect of the girl's disappearance is to disrupt the equilibrium
of the school and hasten the crumbling of the existing social order. Beyond
that it's anyone's guess and this haunting film will definitely keep you
guessing long into the night. In the words of Sherlock Holmes, "When you
have eliminated the impossible, whatever remains, however improbable, must
be the truth".
Howard
Schumann