Richard III (1452-1485)
was the last king in the Plantagenet dynasty that had ruled England since
1154. He was also the last English king to die in battle but he is remembered
more as a man of unparalleled villainy and treachery as depicted in the
play of William Shakespeare. His portrayal by Sir Laurence Olivier in the
1955 film version of Richard III has left a lasting impression of
a bitter, crippled, and deformed man who murdered Henry VI, Henry's son
Edward, his brother Clarence, and his nephews Edward and Richard, although
the historical truth remains in doubt. The performance by Sir Laurence
Olivier was to be the last of his three Shakespearean performances (Hamlet,
Henry V). Though likely intentional, I found it to be a manic, one-dimensional
caricature that robs Richard of any semblance of humanity.
The film depicts the events
leading up to the crowning of Richard III in 1483, beginning with a disclaimer
that the film is part history and part legend but it doesn't say which
part is which. Shot mostly inside the castle, by modern standards, its
style is dated and uncinematic. The opening scene is the coronation of
Edward IV, lifted from the final scene of Shakespeare's "Henry VI: Part
III". It is here that the director introduces the king (Cedric Hardwicke)
and queen (Mary Kerridge), their two young sons, Gloucester (Olivier) and
brother Clarence (John Gielgud), his cousin Buckingham (Sir Ralph Richardson)
and his friend Hastings (Alec Cunes). Under Olivier's direction, Richard
talks directly to the audience starting with the famous soliloquy "This
is the winter of our discontent, made glorious summer by this son of York".
In this monologue, Richard of Gloucester, a gruesome looking figure with
a deformed shoulder, a withered hand, and a hook nose announces his plans
to overthrow his brother, the present King Edward IV.
Interestingly, Winston
Churchill noted that none of Richard's contemporaries ever said anything
about the king being deformed and one suspects that it may be the author's
way of lampooning Robert Cecil, a hunchback who was an unscrupulous power
broker during Queen Elizabeth's last years. Convincing King Edward that
his brother, the Duke of Clarence, is after the crown he engineers Clarence's
removal to the Tower where he is quickly disposed of, first by stabbing
then by being immersed in a barrel of wine. Richard's goal is even closer
when Edward is taken seriously ill. Needing a queen, he woos Lady Anne
(Claire Bloom) who agrees to marry him even though fully aware that Richard
had murdered both her husband and King Henry. Because his claim to the
throne is tenuous, the killing does not stop and Richard has the king's
two boys imprisoned and suffocated in the Tower and murders Queen Anne.
After the killing spree
leaves London in upheaval, a group of citizens comes to Baynard Castle
to request that Richard accept the crown to bring peace to the troubled
land. After some initial unconvincing resistance, Tricky Dick finally relents
and is crowned King Richard III. This event, however, does not stop
young Henry Tudor, Earl of Richmond, from claiming the throne with strong
popular support and a major battle takes place in Bosworth Field as armies
of Richard and Henry gather in August of 1485 to settle the issue. After
165 scenes involving thirty featured players, forty actors in bit parts,
and hundreds of crowd artists, the film is brought to a rousing conclusion.
Richard's defeat and the succession of the Tudor dynasty brought to an
end the Wars of the Roses and is marked as a turning point in English history,
dividing the medieval from the modern era.
Shakespeare's play, based
on Tudor sources, is an astute propaganda piece whose principal goal in
the words of author Mark Anderson was to "legitimize Queen Elizabeth and
her house of Tudor by celebrating the Tudor regime's first victory - the
deposition of Richard III by Henry Tudor in 1485." The play has an antecedent
in the anonymous "The True History of Richard III" first performed by the
Queen's Men in 1589, which in its final scene heaps praise on the Tudor
queen. It is one of Shakespeare's most popular works but, for me, it is
lacking in the usual Shakespearean subtlety, tenderness, and spiritual
depth. Perhaps viewing a different performance might allow me to appreciate
the work a good deal more.
GRADE: B
Howard
Schumann