The sixth (and final?)
outing for the Italian Stallion is still the same as the others but this
time focusing on Rocky's legacy by looking back. For the first twenty
minutes Rocky (Sylvester Stallone) and Paulie (Burt Young) walk through
locations of the past films like ghosts wandering over the plains, reminiscing
and remembering. Adrian, Rocky's wife, so regularly played by Talia
Shire has been killed off by disease three years ago. So Rocky is
reducing to spending all his nights as a host at his restaurant, Adrian's,
where he tells stories to customers who know the endings.
Then two things happen
- a sports show devises a computer simulation pitting Rocky against the
world champion Mason 'The Line' Dixon (Antonio Tarver) and shows that Rocky
in his prime would win. This sets the wheels in motion for his exhibition
fight. The other thing is that he meets Marie, a now grown up woman
of the girl who Rocky walked home in the first film only to be called a
'creepo'. This injection of a woman back into his life, someone he
likes and could learn to love starts off a fire in him to prove once more
he can do it. Is it stupidity or battered pride?
Rocky is a great character,
you forget how well Stallone plays him - with that almost lisping, stammering
voice, the walk and the down at heel underdog, but you also see the charmer
when he is with Geraldine Hughes, who plays Marie. These scenes are
a treat to watch; she being evasive, he being not forceful but funny and
then slowly both there defences start to drop.
My criticism would be
the actual fight with Dixon. Whereas the fights with Apollo Creed
where simple shot-reverse-shot and a marriage of Bill Conti's inspirational
score and dynamic editing. Here we get too much television coverage
which looks digital on the screen and the edit is like a music video, images
coming in from all angles, black and white, voiceovers and too much of
the crowd. The visceral energy of the battle which was always so
apparent in the Creed fights is missing
A minor criticism but
an important one but try not to well up when the training sequence begins
to 'Gonna Fly Now' and he ascends those famous steps once more. Well
produced and a fitting end to a unique American icon.
Jamie
Garwood