The documentary 'Pride' the film about the gay support
for the miners has won acclaim at the same time this
film has been released. 'The Enemy Within' was the
term Mrs Margaret Hilda Thatcher gave to the
dissenters of Socialist creed within the mining
industry that were against her overall plan to bash
the miners as a means of quelling Socialism (as a
political force in Britain), forever. Political
students UK wide learn of the politicisation of the
police during this period and the evidence of this in
the footage - taken 100% from the miners' perspective
is rife.
This is though how this piece should be seen: as a
polemic. The whole story of mines, what they were and
how they predicated the lives of generations of men is
not here. This is more a story of a particular
political battle - within the confines of another
wider and larger impetus for change. When Thatcher
came into power in the late 1970s, Britain had been at
the mercies of industrial action: strikes and three
day weeks were the norm, the personal (she did take
this very personally) and professional verve with
which this was dealt with is evident in the footage.
The determination with which these guys were treated
smacks of enforced directive, the violence, at
Orgreave in particular is overwhelming and one sided.
This documentary rather makes stars of some of the
more fervent and determined activists: their story is
introduced by footage of nostalgic bent, not
indifferent to the public information broadcast that
opens 'The Full Monty' - National Coal Board declares
'People will Always Need Coal' and the time when a
mortgage was a guarantee with a higher rate set on
security of vocation seems archaic. There is only one
scene at the beginning of the film that has a personal
experience retold of the feelings of going down a
shaft and this perspective is definitely the stuff of
another film. In reality, the generation before these
men and before them, were subject of many lung
infections and would spend their retirements sitting
in front of fires spitting huge boluses of chunky coal
dust phlegm into a grate. The Health and Safety record
of mines is the stuff of Catherine Cookson novellas.
But to include this would distract from the story that
is to be told here: that of a battle of survival and
resourcefulness felt by a movement made up of
frightened communities with nothing else to do and
no-where else to go. In 1984 160,000 miners went
on strike, the equivalent of a small town. By 1985 a
good proportion of these men had had 365 days
striking.
When looking at the characteristics of this particular
strike - the fact that these men did not have a
snowball's chance in hell sticks out like pork pie at
a bar mitzvah. The tactics deployed to cut off every
resource, aside from moral and spiritual, was immense:
public sector workers from different vocational arenas
were given pay rises to incentivise against striking.
The police were trained in rioting, access to benefits
were cut off, but the most nasty and ludicrous is the
prevention of miners going to visit fellow working
miners in Nottingham. Travelling vans were held up on
route and told to turn around. Mrs Thatcher would
voice civil libertarianism in her support of Falkland
Islanders pre determining their national status: here
the rule of law/rule of mob argument was a shade
abused: the civil liberty of assembly and of
association was squashed deliberately.
There are occasions when the film is moving - when the
food parcels arrive from Russia, when the women are on
the picket lines with their men, most of all when a
Christmas anticipated with worry and stress turns out
to be the best ever in the lives and memories of those
participating. This film though suffers from having
some of the colour in its cheeks the strike had: the
music and solidarity should be a stronger force in the
film and the opinion of a sympathetic policeman (there
were plenty) wouldn't have gone amiss. This film is
good, but not great - it needs more to it. The
first time ever film from the perspective of miners
has been done already to great and angry effect in the
fictional but resonant Brassed Off, and to a degree
with Billy Elliot. To get a full understanding of the
emotions and frustrations of the strike see all three
together and then watch Strike: The Comic Strip
Presents skit on the miners' strike which is the best
work this team did. A pro miner Trotskyist Alexi Sayle
stars as Arthur Scargill biographer getting the story
of The Miners' Strike retold a la Hollywood. Funny as
hell.
Still the Enemy Within is out on DVD on Amazon now