Based on a short story
by O' Henry prize-winning author Tom McNeal, Tully, by first-time
director Hilary Birmingham, is the story of a widowed father who is forced
to confront secrets kept from his family for too many years. Set in a sleepy
farm community somewhere in Nebraska, Tully is a subtle and deeply
moving portrait of a family whose past shows up without warning, shattering
the trust and unity that had been built over the years. Originally called
The Truth About Tully, the film won praise at the 2000 Toronto Film
Festival, but lost several distributors to bankruptcy and had to wait two
years until it achieved a limited release last November. Now out on DVD,
it gives us a chance to see what we have missed. Although an Indie in the
tradition of You Can Count on Me, Tully is an original --
a sensitive, poetic film about young people dealing with problems in an
authentic and deeply involving way.
In Tully, rancher
Tully Coates, Sr. (Bob Burrus) mourns the death of his wife while struggling
to raise two sons and keep up his farm. Coates keeps a lid on his feelings
and no one suspects the powerful secrets he has hidden. Burrus is perfect
as the weathered old farmer who has forgotten how to enjoy life and only
smiles at Claire (Natalie Canerday), the clerk at the local convenience
store. His two sons are very different but both are good hearted.. Tully
Coates Jr. (Anson Mount) is a macho ladies man who seems unwilling to make
commitments, content to skim along on the surface of life. His brother
Earl (Glenn Fitzgerald) is withdrawn and shy with girls, a movie buff who
spends his days going to the cinema or preparing his steer for the County
Fair. Into this mix comes Ella Smalley (Julianne Nicholson), a freckle-faced,
wholesome looking young woman that I fell in love with instantly. Just
home from college to do an internship as a veterinarian in a local hospital,
she hangs out with Earl but wants to be friends with Tully. Nicholson's
performance is amazing, bringing a rare authenticity to her role. Tully
meanwhile is pursuing April (Catherine Kellner), a stripper who refers
to what she does as burlesque but senses the possibility of something more
than friendship with Ella.
There is not much dialogue
but the action does not require much. When feelings become troublesome,
each escapes to their own place where they can be alone. Ella goes to a
swimming hole, Earl goes to the movies, and the father parks his truck
and downs a six-pack. When bits and pieces of a family secret begin to
be revealed and the Tully's farm is threatened with foreclosure, events
force Tully to begin to fully face the realities that the term "coming-of-age"
implies. The film moves at a languid pace for most of the time but builds
toward an emotional climax as the lazy summer is jarred by an unexpected
event, changing lives forever. The people in Tully are not the small
town yokels of movie cliches. They are smart and sensitive and not the
least bit cool or cynical. Probably too wholesome for many who prefer their
role models to be a bit more jaded, these people talk to each other with
dignity and respect and I cared about them. In lesser hands, Tully
could have become the stuff of soap opera, yet guided by Birmingham's sure
direction, it goes straight to the heart.